Moog Subsequent 37: factory patches

The ones worth knowing, what each is for, and the figure written for it where one exists.

Everything else about the Moog Subsequent 37

  1. LOW BASS

    1.13

    Four strikes a bar, and the last one is the next chord’s root, an eighth early

    Figure — The LOW BASS early-root line

  2. UBER_SUB

    2.11

    A climb to the chord’s fifth, and the fifth lands somewhere new each bar

    Figure — The UBER_SUB displaced fifth

  3. Terror Bass

    2.08

    Three bars of bass line and a fourth on the flat two, falling back onto the beat

    Figure — The Terror Bass flat-two cadence line

  4. BRASH B@SS

    1.04

    Two hard strikes a bar and six ghosted, most of them the same note

    Figure — The BRASH B@SS ghost-note groove

  5. 5TH IN LINE

    3.09

    Three bars on the fifth of each chord, and a root only in the fourth

    Figure — The 5TH IN LINE fifths line

  6. Acid Wiggler

    3.13

    One bar of sixteenths on the root, four of them slid into

    Figure — The Acid Wiggler slide line

  7. TRIPLET 5THS

    9.11

    Fifths stacked three at a time, accented in threes across the beat

    Figure — The TRIPLET 5THS stacked-fifths ladder

  8. Harp C Chord

    6.05

    Four notes held for the arpeggiator, and the order you press them is the tune

    Figure — The Harp C Chord arpeggiated hold

  9. SAW LEAD

    8.07

    A bar climbing to a held note, then the same rhythm falling

    Figure — The SAW LEAD question-and-answer line

  10. Triangle Lead

    9.08

    Chord tones, and every bar head reached by a semitone from below

    Figure — The Triangle Lead chromatic-approach line

  11. Octavia

    7.05

    A phrase, then the same phrase an octave down with one note changed

    Figure — The Octavia octave answer

  12. 70s TV PI Theme

    3.10

    One four-note shape, three times, a step lower each time

    Figure — The 70s TV PI Theme sequenced motif

  13. FUNK ORGAN

    3.01

    Two-note stabs on the sixteenth before every beat, never on one

    Figure — The FUNK ORGAN early-sixteenth stabs

  14. DUO ORG

    5.10

    Two notes struck as one, moving in parallel thirds

    Figure — The DUO ORG parallel-thirds comp

  15. SAWTEETH DUO DANCER

    8.08

    Two notes that cross each other every bar, in a dance rhythm

    Figure — The SAWTEETH DUO DANCER crossing stabs

  16. Duotronic Moogtrons

    5.12

    One note held while the other walks against it

    Figure — The Duotronic Moogtrons pedal-and-line pad

  17. CELESTIAL

    4.11

    Two notes an octave apart, closing to a third over four chords

    Figure — The CELESTIAL converging-voices pad

  18. DRONE

    5.09

    The root held under the changes

  19. DUO WAVE MOD

    5.11

    Two notes rising together, the gap opening from a third to an octave

    Figure — The DUO WAVE MOD similar-motion pad

  20. SYNTH GONG

    9.01

    Seven strikes in eight bars, each placed where the last has gone

    Figure — The SYNTH GONG decay-spaced strikes