Moog Subharmonicon

semi modular

Panel

Our drawing, from cited dimensions.

Subharmonicon front panelOur own simplified drawing of the Subharmonicon front panel, 319.3 by 133 mm. The controls are where the manifest says they sit. The 319.3 mm panel span is cited to manual — Moog Subharmonicon Manual, p.58.SubharmoniconSEQUENCER 1STEP 1STEP 2STEP 3STEP 4SEQUENCER 2STEP 1STEP 2STEP 3STEP 4POLYRHYTHMRHYTHM 1RHYTHM 2RHYTHM 3RHYTHM 4SEQ 1SEQ 1SEQ 1SEQ 1SEQ 2SEQ 2SEQ 2SEQ 2TEMPOTEMPORESETEGNEXTPLAYTRIGGEROSCILLATORSVCO 1 WAVEVCO 1 FREQVCO 2 FREQVCO 2 WAVESEQ OCTSUB 1 FREQSUB 2 FREQSUB 1 FREQSUB 2 FREQOSC 1SUB 1SUB 2OSC 2SUB 1SUB 2QUANTIZEVCO 1 LEVELVCO 2 LEVELSUB 1 LEVELSUB 2 LEVELSUB 1 LEVELSUB 2 LEVELCUTOFFVOLUMERESONANCEVCF EG AMTVCF ATTACKVCF DECAYVCA ATTACKVCA DECAYIN / OUTSUBHARMONICONOUTVoice
319.3 × 133 mm. The 319.3 mm panel span is cited to manual — Moog Subharmonicon Manual, p.58. The controls are where the manifest says they sit.

The box

Kind
semi modular
Clock
sends clock · out: analog-clock · in: midi-din/analog-clock
Audio
mono main out
Voices
1 assignable
Cited to
Subharmonicon Manual, Semi-Modular Analog Polyrhythmic Synthesizer
Maker’s page
moogmusic.com
VoiceCountNotesRoles it declares
Voice16kick, sub, bass-mid, tom, metallic, texture, pad, lead, stab, arp, acid, riser, impact, sweep

Provenance

The same counts the audit prints.

782 of 798 values provisional, 16 cited to a manual page. 285 of 456 ranges cited to the Moog Subharmonicon Manual, 171 unverified.

A point is the setting to dial, and it counts as cited only where a document prints that value. A range is the control’s own limits, and mood may move a value only inside a cited range, so 0 parameters here declare an axis that cannot move.

PointsTotalManualObservedProvisional
Values798160782
RangesTotalManualObservedUnverified
Bounds4562850171

41 of 45 capability facts cited to a document, 3 cited against. 1 fact was looked for and the manual does not state it.

Read, answers no
features.lfo

p.58’s ANALOG SOUND ENGINE block enumerates this instrument as SOURCES, FILTER and ENVELOPES with no modulation row and no LFO, and p.9’s six feature callouts enumerate it a second way with none either. The only modulation named anywhere is the subharmonic sawtooth normalled to pulse width (pp.19, 20), which is an audio-rate oscillator rather than an oscillator with a rate a reader can set

manual — Moog Subharmonicon Manual, p.58

features.sidechain.fromExternalAudio

p.31 enumerates all seventeen inputs and not one of them accepts audio, so no external signal can reach this box for anything to duck to. This is a stronger reading than the Mother-32’s and the DFAM’s, which are unknown because both boxes do take external audio and the question is only whether anything derives a control voltage from it

manual — Moog Subharmonicon Manual, p.31

features.sidechain.internal

p.58’s ANALOG SOUND ENGINE block is a complete enumeration of the signal path — six sources, one ladder filter, two AD envelopes — and names no compressor or level detector for an internal sidechain to live in

manual — Moog Subharmonicon Manual, p.58

Read, does not say
clock.preferredSource

p.9’s ABOUT SUBHARMONICON says the box "can perform as a standalone electronic instrument", which is a capability rather than its job in a rig’s topology — the Tracker Mini’s claim is cited to a sentence about being "the centre piece of a setup", and this is not that sentence. The two chapters about connecting it cancel each other: p.38 clocks a DFAM from OUT · CLOCK and p.39 clocks this box from a Mother-32 into IN · CLOCK, one page each and neither presented as the normal case. §7.4 does not admit a canSendClock page here, and p.38 is exactly that. There is no chapter about leading a studio and no table-of-contents entry for one, so no page states what this box is for in a rig

Panel span: manual — Moog Subharmonicon Manual, p.58

Build a kit

Every one of these is this box on its own. Nothing is loaded.

4 drum sounds this box makes from scratch, in the order to build them. Work down the list: open one, patch it, set the values, then record a single hit before moving to the next.

Routing — Clock it at IN · CLOCK, or over MIDI at IN · MIDI IN, which overrides both the internal clock and the analog one. Its own grid is four steps advanced by the RHYTHM dividers, so the pattern above is what to aim them at rather than something the box can play literally.

  1. 1The ladder filter self-oscillating, opened by a sequencer clockkick · hard

    Routing — This is the BATERIA patch sheet (p.47) read off its own drawing: every mixer level is fully down, RESONANCE is fully up, and what you hear is the filter's own oscillation gated by a clock. The sheet's NOTES are the tuning instruction — "Kick drum tuning is controlled via filter CUTOFF. Adjust VCF DECAY and EG AMT knobs for different kick drum flavors"

    • OUT · SEQ 2 CLKIN · VCA

      Sequencer 2’s own polyrhythm opens the amplifier — this is what makes the drum, since no oscillator reaches the mixer

    • OUT · SEQ 1 CLKIN · CUTOFF

      Sequencer 1’s clock kicks the filter, so the drum is pitched by a pulse rather than by a note

    • OUT · SEQ 1IN · RHYTHM 1

      The sequencer sets its own divider, so the pattern walks its rate instead of repeating

    • OUT · SEQ 2IN · RHYTHM 2

      The same feedback on the second generator, which is what keeps the two sides from locking

    OSCILLATORS

    • VCO 1 FREQ262Hz(262…4186 Hz)

      Tune to the key; QUANTIZE snaps it

    • VCO 1 WAVEUP(UP, MIDDLE, DOWN)

      Square up, saw down, PWM centre

    • SUB 1 FREQ (VCO 1)1(1…16)

      Divides the VCO pitch by this integer

    • SUB 2 FREQ (VCO 1)1(1…16)

      Divides the VCO pitch by this integer

    • VCO 2 FREQ262Hz(262…4186 Hz)

      Tune to the key; QUANTIZE snaps it

    • VCO 2 WAVEUP(UP, MIDDLE, DOWN)

      Square up, saw down, PWM centre

    • SUB 1 FREQ (VCO 2)1(1…16)

      Divides the VCO pitch by this integer

    • SUB 2 FREQ (VCO 2)1(1…16)

      Divides the VCO pitch by this integer

    • VCO 1 LEVEL0% travel(0…100 % travel)
    • SUB 1 LEVEL (VCO 1)0% travel(0…100 % travel)
    • SUB 2 LEVEL (VCO 1)0% travel(0…100 % travel)
    • VCO 2 LEVEL0% travel(0…100 % travel)
    • SUB 1 LEVEL (VCO 2)0% travel(0…100 % travel)
    • SUB 2 LEVEL (VCO 2)0% travel(0…100 % travel)
    • CUTOFF62Hz(20…20000 Hz)
    • RESONANCE100% travel(0…100 % travel)

      Full RESONANCE and the ladder sings

    • VCF ATTACK1ms(1…10000 ms)
    • VCF DECAY95ms(5…10000 ms)
    • VCF EG AMT60% travel from centre(-100…100 % travel from centre)
    • VCA ATTACK1ms(1…10000 ms)
    • VCA DECAY130ms(5…10000 ms)

      Nothing else sets how long it rings

    • VOLUME100% travel(0…100 % travel)

    OSCILLATORS

    • QUANTIZE12-ET(12-ET, 8-ET, 12-JI, 8-JI, OFF)
    • SEQ OCT±1(±5, ±2, ±1)

    SEQ 1 ASSIGN

    • OSC 1UNLIT(LIT, UNLIT)
    • SUB 1UNLIT(LIT, UNLIT)
    • SUB 2UNLIT(LIT, UNLIT)

    SEQ 2 ASSIGN

    • OSC 2UNLIT(LIT, UNLIT)
    • SUB 1UNLIT(LIT, UNLIT)
    • SUB 2UNLIT(LIT, UNLIT)

    POLYRHYTHM

    • RHYTHM 18(1…16)

      Divides the tempo; 1 is the tempo

    • RHYTHM 1 · SEQ 1LIT(LIT, UNLIT)
    • RHYTHM 1 · SEQ 2UNLIT(LIT, UNLIT)
    • RHYTHM 24(1…16)
    • RHYTHM 2 · SEQ 1UNLIT(LIT, UNLIT)
    • RHYTHM 2 · SEQ 2LIT(LIT, UNLIT)
    • RHYTHM 31(1…16)
    • RHYTHM 3 · SEQ 1UNLIT(LIT, UNLIT)
    • RHYTHM 3 · SEQ 2UNLIT(LIT, UNLIT)
    • RHYTHM 416(1…16)
    • RHYTHM 4 · SEQ 1LIT(LIT, UNLIT)
    • RHYTHM 4 · SEQ 2UNLIT(LIT, UNLIT)
  2. 2The same filter ping, tuned up and given a longer tailtom · dark

    Routing — The kick's trick at a higher CUTOFF and a longer VCF DECAY, which is what p.47 means by "different kick drum flavors" — one control decides the pitch of the drum

    OSCILLATORS

    • VCO 1 FREQ262Hz(262…4186 Hz)

      Tune to the key; QUANTIZE snaps it

    • VCO 1 WAVEUP(UP, MIDDLE, DOWN)

      Square up, saw down, PWM centre

    • SUB 1 FREQ (VCO 1)3(1…16)

      Divides the VCO pitch by this integer

    • SUB 2 FREQ (VCO 1)6(1…16)

      Divides the VCO pitch by this integer

    • VCO 2 FREQ262Hz(262…4186 Hz)

      Tune to the key; QUANTIZE snaps it

    • VCO 2 WAVEUP(UP, MIDDLE, DOWN)

      Square up, saw down, PWM centre

    • SUB 1 FREQ (VCO 2)1(1…16)

      Divides the VCO pitch by this integer

    • SUB 2 FREQ (VCO 2)1(1…16)

      Divides the VCO pitch by this integer

    • VCO 1 LEVEL18% travel(0…100 % travel)
    • SUB 1 LEVEL (VCO 1)30% travel(0…100 % travel)
    • SUB 2 LEVEL (VCO 1)0% travel(0…100 % travel)
    • VCO 2 LEVEL0% travel(0…100 % travel)
    • SUB 1 LEVEL (VCO 2)0% travel(0…100 % travel)
    • SUB 2 LEVEL (VCO 2)0% travel(0…100 % travel)
    • CUTOFF165Hz(20…20000 Hz)
    • RESONANCE88% travel(0…100 % travel)

      Full RESONANCE and the ladder sings

    • VCF ATTACK1ms(1…10000 ms)
    • VCF DECAY240ms(5…10000 ms)
    • VCF EG AMT48% travel from centre(-100…100 % travel from centre)
    • VCA ATTACK1ms(1…10000 ms)
    • VCA DECAY260ms(5…10000 ms)

      Nothing else sets how long it rings

    • VOLUME72% travel(0…100 % travel)

    OSCILLATORS

    • QUANTIZEOFF(12-ET, 8-ET, 12-JI, 8-JI, OFF)
    • SEQ OCT±1(±5, ±2, ±1)

    SEQ 1 ASSIGN

    • OSC 1UNLIT(LIT, UNLIT)
    • SUB 1UNLIT(LIT, UNLIT)
    • SUB 2UNLIT(LIT, UNLIT)

    SEQ 2 ASSIGN

    • OSC 2UNLIT(LIT, UNLIT)
    • SUB 1UNLIT(LIT, UNLIT)
    • SUB 2UNLIT(LIT, UNLIT)

    POLYRHYTHM

    • RHYTHM 18(1…16)

      Divides the tempo; 1 is the tempo

    • RHYTHM 1 · SEQ 1LIT(LIT, UNLIT)
    • RHYTHM 1 · SEQ 2UNLIT(LIT, UNLIT)
    • RHYTHM 216(1…16)
    • RHYTHM 2 · SEQ 1UNLIT(LIT, UNLIT)
    • RHYTHM 2 · SEQ 2UNLIT(LIT, UNLIT)
    • RHYTHM 316(1…16)
    • RHYTHM 3 · SEQ 1UNLIT(LIT, UNLIT)
    • RHYTHM 3 · SEQ 2UNLIT(LIT, UNLIT)
    • RHYTHM 416(1…16)
    • RHYTHM 4 · SEQ 1UNLIT(LIT, UNLIT)
    • RHYTHM 4 · SEQ 2UNLIT(LIT, UNLIT)
  3. 3Coprime dividers ringing against each other with the filter wide openmetallic · bright

    Routing — The four dividers are 5, 7, 11 and 13 against two VCOs a tone apart, so nothing in the chord shares a partial and the result is inharmonic. The cable puts a subharmonic on the other oscillator's pulse width at audio rate, which p.32 says a cable there replaces the normalled sawtooth

    • OUT · VCO 1 SUB 2IN · VCO 2 PWM

      Audio-rate pulse-width modulation across the two oscillators; p.33 says this cable overrides the internal sawtooth connection

    OSCILLATORS

    • VCO 1 FREQ1318Hz(262…4186 Hz)

      Tune to the key; QUANTIZE snaps it

    • VCO 1 WAVEUP(UP, MIDDLE, DOWN)

      Square up, saw down, PWM centre

    • SUB 1 FREQ (VCO 1)5(1…16)

      Divides the VCO pitch by this integer

    • SUB 2 FREQ (VCO 1)7(1…16)

      Divides the VCO pitch by this integer

    • VCO 2 FREQ1480Hz(262…4186 Hz)

      Tune to the key; QUANTIZE snaps it

    • VCO 2 WAVEUP(UP, MIDDLE, DOWN)

      Square up, saw down, PWM centre

    • SUB 1 FREQ (VCO 2)11(1…16)

      Divides the VCO pitch by this integer

    • SUB 2 FREQ (VCO 2)13(1…16)

      Divides the VCO pitch by this integer

    • VCO 1 LEVEL54% travel(0…100 % travel)
    • SUB 1 LEVEL (VCO 1)62% travel(0…100 % travel)
    • SUB 2 LEVEL (VCO 1)58% travel(0…100 % travel)
    • VCO 2 LEVEL50% travel(0…100 % travel)
    • SUB 1 LEVEL (VCO 2)56% travel(0…100 % travel)
    • SUB 2 LEVEL (VCO 2)52% travel(0…100 % travel)
    • CUTOFF8600Hz(20…20000 Hz)
    • RESONANCE44% travel(0…100 % travel)
    • VCF ATTACK1ms(1…10000 ms)
    • VCF DECAY420ms(5…10000 ms)
    • VCF EG AMT40% travel from centre(-100…100 % travel from centre)
    • VCA ATTACK1ms(1…10000 ms)
    • VCA DECAY460ms(5…10000 ms)

      Nothing else sets how long it rings

    • VOLUME68% travel(0…100 % travel)

    OSCILLATORS

    • QUANTIZEOFF(12-ET, 8-ET, 12-JI, 8-JI, OFF)
    • SEQ OCT±2(±5, ±2, ±1)

    SEQ 1 ASSIGN

    • OSC 1UNLIT(LIT, UNLIT)
    • SUB 1LIT(LIT, UNLIT)
    • SUB 2LIT(LIT, UNLIT)

    SEQ 2 ASSIGN

    • OSC 2UNLIT(LIT, UNLIT)
    • SUB 1LIT(LIT, UNLIT)
    • SUB 2LIT(LIT, UNLIT)

    POLYRHYTHM

    • RHYTHM 13(1…16)

      Divides the tempo; 1 is the tempo

    • RHYTHM 1 · SEQ 1LIT(LIT, UNLIT)
    • RHYTHM 1 · SEQ 2UNLIT(LIT, UNLIT)
    • RHYTHM 25(1…16)
    • RHYTHM 2 · SEQ 1UNLIT(LIT, UNLIT)
    • RHYTHM 2 · SEQ 2LIT(LIT, UNLIT)
    • RHYTHM 37(1…16)
    • RHYTHM 3 · SEQ 1LIT(LIT, UNLIT)
    • RHYTHM 3 · SEQ 2LIT(LIT, UNLIT)
    • RHYTHM 41(1…16)
    • RHYTHM 4 · SEQ 1UNLIT(LIT, UNLIT)
    • RHYTHM 4 · SEQ 2UNLIT(LIT, UNLIT)
  4. 4Every source at the bottom of its range, fired once by the trigger buttonimpact · hard

    Routing — All four dividers are near ÷16 under low VCOs, so what lands is the bottom of the box. Hit TRIGGER by hand for the one-shot: with the EG button lit, p.28 says it "will instantly restart the envelope generators without waiting for the next step". The chord is an undertone chord: every note under the two VCOs is that VCO divided by a whole number, so the SUB FREQ integers decide which chord exists. If the direction wants an interval these dividers cannot make, move a VCO rather than forcing a divider

    OSCILLATORS

    • VCO 1 FREQ262Hz(262…4186 Hz)

      Tune to the key; QUANTIZE snaps it

    • VCO 1 WAVEUP(UP, MIDDLE, DOWN)

      Square up, saw down, PWM centre

    • SUB 1 FREQ (VCO 1)8(1…16)

      Divides the VCO pitch by this integer

    • SUB 2 FREQ (VCO 1)12(1…16)

      Divides the VCO pitch by this integer

    • VCO 2 FREQ277Hz(262…4186 Hz)

      Tune to the key; QUANTIZE snaps it

    • VCO 2 WAVEUP(UP, MIDDLE, DOWN)

      Square up, saw down, PWM centre

    • SUB 1 FREQ (VCO 2)10(1…16)

      Divides the VCO pitch by this integer

    • SUB 2 FREQ (VCO 2)16(1…16)

      Divides the VCO pitch by this integer

    • VCO 1 LEVEL30% travel(0…100 % travel)
    • SUB 1 LEVEL (VCO 1)92% travel(0…100 % travel)
    • SUB 2 LEVEL (VCO 1)78% travel(0…100 % travel)
    • VCO 2 LEVEL26% travel(0…100 % travel)
    • SUB 1 LEVEL (VCO 2)88% travel(0…100 % travel)
    • SUB 2 LEVEL (VCO 2)72% travel(0…100 % travel)
    • CUTOFF140Hz(20…20000 Hz)
    • RESONANCE34% travel(0…100 % travel)
    • VCF ATTACK1ms(1…10000 ms)
    • VCF DECAY900ms(5…10000 ms)
    • VCF EG AMT48% travel from centre(-100…100 % travel from centre)
    • VCA ATTACK1ms(1…10000 ms)
    • VCA DECAY1600ms(5…10000 ms)

      Nothing else sets how long it rings

    • VOLUME82% travel(0…100 % travel)

    OSCILLATORS

    • QUANTIZEOFF(12-ET, 8-ET, 12-JI, 8-JI, OFF)
    • SEQ OCT±1(±5, ±2, ±1)

    SEQ 1 ASSIGN

    • OSC 1UNLIT(LIT, UNLIT)
    • SUB 1UNLIT(LIT, UNLIT)
    • SUB 2UNLIT(LIT, UNLIT)

    SEQ 2 ASSIGN

    • OSC 2UNLIT(LIT, UNLIT)
    • SUB 1UNLIT(LIT, UNLIT)
    • SUB 2UNLIT(LIT, UNLIT)

    POLYRHYTHM

    • RHYTHM 116(1…16)

      Divides the tempo; 1 is the tempo

    • RHYTHM 1 · SEQ 1LIT(LIT, UNLIT)
    • RHYTHM 1 · SEQ 2UNLIT(LIT, UNLIT)
    • RHYTHM 216(1…16)
    • RHYTHM 2 · SEQ 1UNLIT(LIT, UNLIT)
    • RHYTHM 2 · SEQ 2UNLIT(LIT, UNLIT)
    • RHYTHM 31(1…16)
    • RHYTHM 3 · SEQ 1UNLIT(LIT, UNLIT)
    • RHYTHM 3 · SEQ 2UNLIT(LIT, UNLIT)
    • RHYTHM 41(1…16)
    • RHYTHM 4 · SEQ 1UNLIT(LIT, UNLIT)
    • RHYTHM 4 · SEQ 2UNLIT(LIT, UNLIT)

The page behind any of these values is in Parameter sources below, under the name it is printed with here.

Open the full kit, with every sound laid out

Parameter sources

Every authored parameter, and the page behind each of its claims. Open a name.

OSCILLATORS panel module

  • QUANTIZE 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.2112-ET · 8-ET · 12-JI · 8-JI · OFF
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.2112-ET · 8-ET · 12-JI · 8-JI · OFF
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.2112-ET · 8-ET · 12-JI · 8-JI · OFF
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.2112-ET · 8-ET · 12-JI · 8-JI · OFF
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.2112-ET · 8-ET · 12-JI · 8-JI · OFF
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.2112-ET · 8-ET · 12-JI · 8-JI · OFF
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.2112-ET · 8-ET · 12-JI · 8-JI · OFF
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.2112-ET · 8-ET · 12-JI · 8-JI · OFF
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.2112-ET · 8-ET · 12-JI · 8-JI · OFF
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.2112-ET · 8-ET · 12-JI · 8-JI · OFF
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.2112-ET · 8-ET · 12-JI · 8-JI · OFF
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.2112-ET · 8-ET · 12-JI · 8-JI · OFF
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.2112-ET · 8-ET · 12-JI · 8-JI · OFF
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.2112-ET · 8-ET · 12-JI · 8-JI · OFF
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.2112-ET · 8-ET · 12-JI · 8-JI · OFF
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.2112-ET · 8-ET · 12-JI · 8-JI · OFF
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.2112-ET · 8-ET · 12-JI · 8-JI · OFF
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.2112-ET · 8-ET · 12-JI · 8-JI · OFF
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.2112-ET · 8-ET · 12-JI · 8-JI · OFF
  • SEQ OCT 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.28±5 · ±2 · ±1
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.28±5 · ±2 · ±1
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.28±5 · ±2 · ±1
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.28±5 · ±2 · ±1
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.28±5 · ±2 · ±1
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.28±5 · ±2 · ±1
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.28±5 · ±2 · ±1
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.28±5 · ±2 · ±1
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.28±5 · ±2 · ±1
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.28±5 · ±2 · ±1
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.28±5 · ±2 · ±1
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.28±5 · ±2 · ±1
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.28±5 · ±2 · ±1
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.28±5 · ±2 · ±1
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.28±5 · ±2 · ±1
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.28±5 · ±2 · ±1
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.28±5 · ±2 · ±1
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.28±5 · ±2 · ±1
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.28±5 · ±2 · ±1
  • SUB 1 FREQ (VCO 1) 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.181…16
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.181…16
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.181…16
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.181…16
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.181…16
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.181…16
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.181…16
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.181…16
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.181…16
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.181…16
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.181…16
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.181…16
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.181…16
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.181…16
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.181…16
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.181…16
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.181…16
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.181…16
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.181…16
  • SUB 1 FREQ (VCO 2) 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.201…16
  • SUB 1 LEVEL (VCO 1) 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalunverified0…100 % travel
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalunverified0…100 % travel
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalunverified0…100 % travel
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalunverified0…100 % travel
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalunverified0…100 % travel
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardmanual — Moog Subharmonicon Manual, p.47unverified0…100 % travel
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalunverified0…100 % travel
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalunverified0…100 % travel
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalunverified0…100 % travel
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalunverified0…100 % travel
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalunverified0…100 % travel
    All six sources up, the filter crescendoing under thempad · softmanual — Moog Subharmonicon Manual, p.48unverified0…100 % travel
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalunverified0…100 % travel
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalunverified0…100 % travel
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalunverified0…100 % travel
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalunverified0…100 % travel
    The filter falling through five octaves under a held chordsweep · softprovisionalunverified0…100 % travel
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalunverified0…100 % travel
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalunverified0…100 % travel
  • SUB 1 LEVEL (VCO 2) 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalunverified0…100 % travel
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalunverified0…100 % travel
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalunverified0…100 % travel
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalunverified0…100 % travel
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalunverified0…100 % travel
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardmanual — Moog Subharmonicon Manual, p.47unverified0…100 % travel
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalunverified0…100 % travel
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalunverified0…100 % travel
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalunverified0…100 % travel
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalunverified0…100 % travel
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalunverified0…100 % travel
    All six sources up, the filter crescendoing under thempad · softmanual — Moog Subharmonicon Manual, p.48unverified0…100 % travel
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalunverified0…100 % travel
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalunverified0…100 % travel
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalunverified0…100 % travel
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalunverified0…100 % travel
    The filter falling through five octaves under a held chordsweep · softprovisionalunverified0…100 % travel
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalunverified0…100 % travel
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalunverified0…100 % travel
  • SUB 2 FREQ (VCO 1) 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.191…16
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.191…16
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.191…16
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.191…16
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.191…16
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.191…16
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.191…16
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.191…16
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.191…16
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.191…16
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.191…16
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.191…16
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.191…16
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.191…16
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.191…16
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.191…16
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.191…16
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.191…16
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.191…16
  • SUB 2 FREQ (VCO 2) 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.201…16
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.201…16
  • SUB 2 LEVEL (VCO 1) 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalunverified0…100 % travel
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalunverified0…100 % travel
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalunverified0…100 % travel
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalunverified0…100 % travel
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalunverified0…100 % travel
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardmanual — Moog Subharmonicon Manual, p.47unverified0…100 % travel
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalunverified0…100 % travel
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalunverified0…100 % travel
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalunverified0…100 % travel
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalunverified0…100 % travel
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalunverified0…100 % travel
    All six sources up, the filter crescendoing under thempad · softmanual — Moog Subharmonicon Manual, p.48unverified0…100 % travel
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalunverified0…100 % travel
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalunverified0…100 % travel
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalunverified0…100 % travel
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalunverified0…100 % travel
    The filter falling through five octaves under a held chordsweep · softprovisionalunverified0…100 % travel
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalunverified0…100 % travel
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalunverified0…100 % travel
  • SUB 2 LEVEL (VCO 2) 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalunverified0…100 % travel
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalunverified0…100 % travel
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalunverified0…100 % travel
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalunverified0…100 % travel
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalunverified0…100 % travel
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardmanual — Moog Subharmonicon Manual, p.47unverified0…100 % travel
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalunverified0…100 % travel
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalunverified0…100 % travel
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalunverified0…100 % travel
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalunverified0…100 % travel
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalunverified0…100 % travel
    All six sources up, the filter crescendoing under thempad · softmanual — Moog Subharmonicon Manual, p.48unverified0…100 % travel
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalunverified0…100 % travel
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalunverified0…100 % travel
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalunverified0…100 % travel
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalunverified0…100 % travel
    The filter falling through five octaves under a held chordsweep · softprovisionalunverified0…100 % travel
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalunverified0…100 % travel
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalunverified0…100 % travel
  • VCO 1 FREQ 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.18262…4186 Hz
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.18262…4186 Hz
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.18262…4186 Hz
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.18262…4186 Hz
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.18262…4186 Hz
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.18262…4186 Hz
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.18262…4186 Hz
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.18262…4186 Hz
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.18262…4186 Hz
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.18262…4186 Hz
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.18262…4186 Hz
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.18262…4186 Hz
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.18262…4186 Hz
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.18262…4186 Hz
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.18262…4186 Hz
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.18262…4186 Hz
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.18262…4186 Hz
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.18262…4186 Hz
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.18262…4186 Hz
  • VCO 1 LEVEL 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalunverified0…100 % travel
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalunverified0…100 % travel
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalunverified0…100 % travel
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalunverified0…100 % travel
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalunverified0…100 % travel
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardmanual — Moog Subharmonicon Manual, p.47unverified0…100 % travel
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalunverified0…100 % travel
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalunverified0…100 % travel
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalunverified0…100 % travel
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalunverified0…100 % travel
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalunverified0…100 % travel
    All six sources up, the filter crescendoing under thempad · softmanual — Moog Subharmonicon Manual, p.48unverified0…100 % travel
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalunverified0…100 % travel
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalunverified0…100 % travel
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalunverified0…100 % travel
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalunverified0…100 % travel
    The filter falling through five octaves under a held chordsweep · softprovisionalunverified0…100 % travel
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalunverified0…100 % travel
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalunverified0…100 % travel
  • VCO 1 WAVE 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.19UP · MIDDLE · DOWN
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.19UP · MIDDLE · DOWN
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.19UP · MIDDLE · DOWN
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.19UP · MIDDLE · DOWN
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.19UP · MIDDLE · DOWN
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.19UP · MIDDLE · DOWN
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.19UP · MIDDLE · DOWN
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.19UP · MIDDLE · DOWN
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.19UP · MIDDLE · DOWN
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.19UP · MIDDLE · DOWN
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.19UP · MIDDLE · DOWN
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.19UP · MIDDLE · DOWN
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.19UP · MIDDLE · DOWN
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.19UP · MIDDLE · DOWN
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.19UP · MIDDLE · DOWN
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.19UP · MIDDLE · DOWN
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.19UP · MIDDLE · DOWN
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.19UP · MIDDLE · DOWN
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.19UP · MIDDLE · DOWN
  • VCO 2 FREQ 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.19262…4186 Hz
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.19262…4186 Hz
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.19262…4186 Hz
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.19262…4186 Hz
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.19262…4186 Hz
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.19262…4186 Hz
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.19262…4186 Hz
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.19262…4186 Hz
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.19262…4186 Hz
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.19262…4186 Hz
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.19262…4186 Hz
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.19262…4186 Hz
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.19262…4186 Hz
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.19262…4186 Hz
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.19262…4186 Hz
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.19262…4186 Hz
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.19262…4186 Hz
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.19262…4186 Hz
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.19262…4186 Hz
  • VCO 2 LEVEL 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalunverified0…100 % travel
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalunverified0…100 % travel
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalunverified0…100 % travel
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalunverified0…100 % travel
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalunverified0…100 % travel
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardmanual — Moog Subharmonicon Manual, p.47unverified0…100 % travel
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalunverified0…100 % travel
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalunverified0…100 % travel
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalunverified0…100 % travel
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalunverified0…100 % travel
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalunverified0…100 % travel
    All six sources up, the filter crescendoing under thempad · softmanual — Moog Subharmonicon Manual, p.48unverified0…100 % travel
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalunverified0…100 % travel
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalunverified0…100 % travel
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalunverified0…100 % travel
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalunverified0…100 % travel
    The filter falling through five octaves under a held chordsweep · softprovisionalunverified0…100 % travel
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalunverified0…100 % travel
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalunverified0…100 % travel
  • VCO 2 WAVE 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.20UP · MIDDLE · DOWN
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.20UP · MIDDLE · DOWN
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.20UP · MIDDLE · DOWN
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.20UP · MIDDLE · DOWN
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.20UP · MIDDLE · DOWN
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.20UP · MIDDLE · DOWN
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.20UP · MIDDLE · DOWN
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.20UP · MIDDLE · DOWN
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.20UP · MIDDLE · DOWN
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.20UP · MIDDLE · DOWN
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.20UP · MIDDLE · DOWN
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.20UP · MIDDLE · DOWN
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.20UP · MIDDLE · DOWN
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.20UP · MIDDLE · DOWN
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.20UP · MIDDLE · DOWN
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.20UP · MIDDLE · DOWN
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.20UP · MIDDLE · DOWN
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.20UP · MIDDLE · DOWN
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.20UP · MIDDLE · DOWN

POLYRHYTHM panel module

  • RHYTHM 1 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.301…16
  • RHYTHM 1 · SEQ 1 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
  • RHYTHM 1 · SEQ 2 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
  • RHYTHM 2 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.301…16
  • RHYTHM 2 · SEQ 1 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
  • RHYTHM 2 · SEQ 2 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
  • RHYTHM 3 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.301…16
  • RHYTHM 3 · SEQ 1 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
  • RHYTHM 3 · SEQ 2 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
  • RHYTHM 4 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.301…16
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.301…16
  • RHYTHM 4 · SEQ 1 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
  • RHYTHM 4 · SEQ 2 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.30LIT · UNLIT

SEQ 1 ASSIGN panel module

  • SEQ 1 ASSIGN · OSC 1 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
  • SEQ 1 ASSIGN · SUB 1 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
  • SEQ 1 ASSIGN · SUB 2 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.26LIT · UNLIT

SEQ 2 ASSIGN panel module

  • SEQ 2 ASSIGN · OSC 2 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
  • SEQ 2 ASSIGN · SUB 1 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
  • SEQ 2 ASSIGN · SUB 2 19 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.27LIT · UNLIT

kick role

  • CUTOFF 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.2320…20000 Hz
  • RESONANCE 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardmanual — Moog Subharmonicon Manual, p.47unverified0…100 % travel
  • VCA ATTACK 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
  • VCA DECAY 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.255…10000 ms
  • VCF ATTACK 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
  • VCF DECAY 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalmanual — Moog Subharmonicon Manual, p.245…10000 ms
  • VCF EG AMT 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardprovisionalunverified-100…100 % travel from centre
  • VOLUME 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    The ladder filter self-oscillating, opened by a sequencer clockkick · hardmanual — Moog Subharmonicon Manual, p.47unverified0…100 % travel

sub role

  • CUTOFF 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.2320…20000 Hz
  • RESONANCE 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalunverified0…100 % travel
  • VCA ATTACK 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
  • VCA DECAY 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.255…10000 ms
  • VCF ATTACK 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
  • VCF DECAY 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalmanual — Moog Subharmonicon Manual, p.245…10000 ms
  • VCF EG AMT 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalunverified-100…100 % travel from centre
  • VOLUME 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Two octaves under the oscillator, with the oscillator itself mutedsub · darkprovisionalunverified0…100 % travel

bass-mid role

  • CUTOFF 2 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.2320…20000 Hz
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.2320…20000 Hz
  • RESONANCE 2 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalunverified0…100 % travel
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalunverified0…100 % travel
  • VCA ATTACK 2 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
  • VCA DECAY 2 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.255…10000 ms
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.255…10000 ms
  • VCF ATTACK 2 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
  • VCF DECAY 2 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalmanual — Moog Subharmonicon Manual, p.245…10000 ms
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.245…10000 ms
  • VCF EG AMT 2 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalunverified-100…100 % travel from centre
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalunverified-100…100 % travel from centre
  • VOLUME 2 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Square bass an octave down, filter tracking just above the fundamentalbass-mid · darkprovisionalunverified0…100 % travel
    Both oscillators and three subharmonics pushed into the mixerbass-mid · dirtyprovisionalunverified0…100 % travel

metallic role

  • CUTOFF 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.2320…20000 Hz
  • RESONANCE 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalunverified0…100 % travel
  • VCA ATTACK 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
  • VCA DECAY 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.255…10000 ms
  • VCF ATTACK 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
  • VCF DECAY 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalmanual — Moog Subharmonicon Manual, p.245…10000 ms
  • VCF EG AMT 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalunverified-100…100 % travel from centre
  • VOLUME 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Coprime dividers ringing against each other with the filter wide openmetallic · brightprovisionalunverified0…100 % travel

tom role

  • CUTOFF 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.2320…20000 Hz
  • RESONANCE 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalunverified0…100 % travel
  • VCA ATTACK 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
  • VCA DECAY 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.255…10000 ms
  • VCF ATTACK 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
  • VCF DECAY 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalmanual — Moog Subharmonicon Manual, p.245…10000 ms
  • VCF EG AMT 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalunverified-100…100 % travel from centre
  • VOLUME 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    The same filter ping, tuned up and given a longer tailtom · darkprovisionalunverified0…100 % travel

texture role

  • CUTOFF 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.2320…20000 Hz
  • RESONANCE 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalunverified0…100 % travel
  • VCA ATTACK 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
  • VCA DECAY 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.255…10000 ms
  • VCF ATTACK 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
  • VCF DECAY 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalmanual — Moog Subharmonicon Manual, p.245…10000 ms
  • VCF EG AMT 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalunverified-100…100 % travel from centre
  • VOLUME 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Very slow dividers, a long filter swell, nothing arriving on a beattexture · softprovisionalunverified0…100 % travel

pad role

  • CUTOFF 3 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.2320…20000 Hz
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.2320…20000 Hz
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.2320…20000 Hz
  • RESONANCE 3 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalunverified0…100 % travel
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalunverified0…100 % travel
    All six sources up, the filter crescendoing under thempad · softmanual — Moog Subharmonicon Manual, p.48unverified0…100 % travel
  • VCA ATTACK 3 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
  • VCA DECAY 3 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.255…10000 ms
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.255…10000 ms
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.255…10000 ms
  • VCF ATTACK 3 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
  • VCF DECAY 3 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalmanual — Moog Subharmonicon Manual, p.245…10000 ms
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalmanual — Moog Subharmonicon Manual, p.245…10000 ms
    All six sources up, the filter crescendoing under thempad · softprovisionalmanual — Moog Subharmonicon Manual, p.245…10000 ms
  • VCF EG AMT 3 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalunverified-100…100 % travel from centre
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalunverified-100…100 % travel from centre
    All six sources up, the filter crescendoing under thempad · softprovisionalunverified-100…100 % travel from centre
  • VOLUME 3 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Chord voiced high, with the sequencers moving the dividers under a fixed rootpad · brightprovisionalunverified0…100 % travel
    A low undertone chord with the ladder almost shut over itpad · darkprovisionalunverified0…100 % travel
    All six sources up, the filter crescendoing under thempad · softmanual — Moog Subharmonicon Manual, p.48unverified0…100 % travel

lead role

  • CUTOFF 2 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.2320…20000 Hz
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.2320…20000 Hz
  • RESONANCE 2 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalunverified0…100 % travel
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalunverified0…100 % travel
  • VCA ATTACK 2 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
  • VCA DECAY 2 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.255…10000 ms
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.255…10000 ms
  • VCF ATTACK 2 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
  • VCF DECAY 2 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalmanual — Moog Subharmonicon Manual, p.245…10000 ms
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalmanual — Moog Subharmonicon Manual, p.245…10000 ms
  • VCF EG AMT 2 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalunverified-100…100 % travel from centre
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalunverified-100…100 % travel from centre
  • VOLUME 2 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    One oscillator high, a fifth under it, filter well openlead · brightprovisionalunverified0…100 % travel
    Sawtooth line with a slow filter attack behind every notelead · softprovisionalunverified0…100 % travel

stab role

  • CUTOFF 2 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.2320…20000 Hz
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.2320…20000 Hz
  • RESONANCE 2 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalunverified0…100 % travel
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalunverified0…100 % travel
  • VCA ATTACK 2 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
  • VCA DECAY 2 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.255…10000 ms
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.255…10000 ms
  • VCF ATTACK 2 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
  • VCF DECAY 2 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.245…10000 ms
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalmanual — Moog Subharmonicon Manual, p.245…10000 ms
  • VCF EG AMT 2 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalunverified-100…100 % travel from centre
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalunverified-100…100 % travel from centre
  • VOLUME 2 recipes
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Six channels near maximum, so the mixer clips before the filter sees itstab · dirtyprovisionalunverified0…100 % travel
    The whole chord through a fast envelope and a hard filter edgestab · hardprovisionalunverified0…100 % travel

arp role

  • CUTOFF 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.2320…20000 Hz
  • RESONANCE 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalunverified0…100 % travel
  • VCA ATTACK 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
  • VCA DECAY 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.255…10000 ms
  • VCF ATTACK 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
  • VCF DECAY 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalmanual — Moog Subharmonicon Manual, p.245…10000 ms
  • VCF EG AMT 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalunverified-100…100 % travel from centre
  • VOLUME 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Two sequencers on coprime dividers, one playing both oscillatorsarp · brightprovisionalunverified0…100 % travel

acid role

  • CUTOFF 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.2320…20000 Hz
  • RESONANCE 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalunverified0…100 % travel
  • VCA ATTACK 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
  • VCA DECAY 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.255…10000 ms
  • VCF ATTACK 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
  • VCF DECAY 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalmanual — Moog Subharmonicon Manual, p.245…10000 ms
  • VCF EG AMT 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalunverified-100…100 % travel from centre
  • VOLUME 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Ladder filter near self-oscillation, envelope opening it every stepacid · dirtyprovisionalunverified0…100 % travel

riser role

  • CUTOFF 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.2320…20000 Hz
  • RESONANCE 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalunverified0…100 % travel
  • VCA ATTACK 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
  • VCA DECAY 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.255…10000 ms
  • VCF ATTACK 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
  • VCF DECAY 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalmanual — Moog Subharmonicon Manual, p.245…10000 ms
  • VCF EG AMT 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalunverified-100…100 % travel from centre
  • VOLUME 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    An eight-second filter attack with the sequencer climbing under itriser · brightprovisionalunverified0…100 % travel

impact role

  • CUTOFF 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.2320…20000 Hz
  • RESONANCE 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalunverified0…100 % travel
  • VCA ATTACK 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
  • VCA DECAY 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.255…10000 ms
  • VCF ATTACK 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
  • VCF DECAY 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalmanual — Moog Subharmonicon Manual, p.245…10000 ms
  • VCF EG AMT 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalunverified-100…100 % travel from centre
  • VOLUME 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    Every source at the bottom of its range, fired once by the trigger buttonimpact · hardprovisionalunverified0…100 % travel

sweep role

  • CUTOFF 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.2320…20000 Hz
  • RESONANCE 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    The filter falling through five octaves under a held chordsweep · softprovisionalunverified0…100 % travel
  • VCA ATTACK 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
  • VCA DECAY 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.255…10000 ms
  • VCF ATTACK 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.241…10000 ms
  • VCF DECAY 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    The filter falling through five octaves under a held chordsweep · softprovisionalmanual — Moog Subharmonicon Manual, p.245…10000 ms
  • VCF EG AMT 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    The filter falling through five octaves under a held chordsweep · softprovisionalunverified-100…100 % travel from centre
  • VOLUME 1 recipe
    RecipeRole · characterValue cited toBounds or options cited toBounds or options
    The filter falling through five octaves under a held chordsweep · softprovisionalunverified0…100 % travel

One row per recipe, because one name can be read off more than one page: this box authors 798 values across 19 recipes, and a list de-duplicated by name would keep one citation and drop the rest.

Before it holds pitch

What this box needs of you every session, and what it needs of a technician. Both come from its manual; neither changes with what you are making.

Warm-up
A few minutes from cold before it holds pitch
Source
manual — Moog Subharmonicon Manual, p.7

What it can play

19 recipes across 14 roles.

On its own

Resolved against each direction with nothing else in the rig.

A rig is more than one box. These are what Moog Subharmonicon covers alone, which is the floor rather than what it will do beside something else.