Moog Matriarch
semi modular
Panel
Our drawing, from cited dimensions.
The box
- Kind
- semi modular
- Clock
- sends clock · midi-din/usb/analog-clock
- Audio
- stereo main out · audio in
- Voices
- 1 assignable
- Cited to
- Matriarch Manual, 012023
- Maker’s page
- moogmusic.com
| Voice | Count | Notes | Roles it declares |
|---|---|---|---|
| Voice | 1 | 4 | kick, sub, bass-mid, snare, tom, noise, metallic, texture, pad, lead, stab, arp, acid, riser, impact, sweep |
Provenance
The same counts the audit prints.
695 of 695 values provisional. 57 of 469 ranges cited to the Moog Matriarch Manual (012023), 412 unverified.
A point is the setting to dial, and it counts as cited only where a document prints that value. A range is the control’s own limits, and mood may move a value only inside a cited range, so 0 parameters here declare an axis that cannot move.
| Points | Total | Manual | Observed | Provisional |
|---|---|---|---|---|
| Values | 695 | 0 | 0 | 695 |
| Ranges | Total | Manual | Observed | Unverified |
|---|---|---|---|---|
| Bounds | 469 | 57 | 0 | 412 |
109 of 111 capability facts cited to a document. 2 facts were looked for and the manual does not state them.
- Read, does not say
clock.preferredSource
p.9 calls this box "a powerful keyboard front-end for expanding a DFAM, Mother-32, Grandmother, or Eurorack modular system" — the Grandmother’s own sentence with one more box in the list, and about the notes it supplies rather than the tempo the rig runs on. Those notes are already carried as two output bundles at ARP/SEQ CV OUT + GATE OUT and KEYBOARD KB CV OUT + KB GATE OUT. Everything concrete points at a socket instead: CLOCK OUT transmits sync (p.59), Global Settings 1.6 and 2.2 switch the MIDI and analog outputs on (pp.64-65) and 3.2 sets the outgoing PPQN (p.66), and §7.4 does not admit a canSendClock page here. A 256-step sequencer with twelve files does not make a keyboard synthesiser a dedicated sequencer, and there is no chapter about clocking external gear and no table-of-contents entry for one
features.sidechain.fromExternalAudio
the box takes external audio at INSTRUMENT IN (p.54) and none of its thirty-three outputs is an envelope follower or a rectifier, so nothing here can derive a control voltage from an incoming signal and duck to it — but no page states that either way, so this is a reading of the jack list rather than an answer the document gives
Panel span: manual — Moog Matriarch Manual (012023), p.90
Build a kit
Every one of these is this box on its own. Nothing is loaded.
7 drum sounds this box makes from scratch, in the order to build them. Work down the list: open one, patch it, set the values, then record a single hit before moving to the next.
Routing — Played from its own 49-note keyboard, from the arpeggiator or the 256-step sequencer, or over MIDI IN.
1Kick with the filter envelope cabled onto Oscillator 1’s pitch
Routing — VOICE MODE 1 so all four oscillators sound one note. One cable: FILTER ENV OUT to OSCILLATORS 1 PITCH IN — the envelope reaches the filters from the panel and everything else only through that jack (p.27)
- ENVELOPE GENERATORS · FILTER ENV OUTOSCILLATORS · 1 PITCH IN
The pitch drop — a short DECAY makes it a click, a longer one a boom
PARAPHONY
- VOICE MODE1
All four oscillators play from one key, which is what makes the detunes a unison
All four oscillators on one key
OSCILLATORS
- OSCILLATOR 1 OCTAVE16'
- OSCILLATOR 1 WAVEFORMTRIANGLE
- OSCILLATOR 2 OCTAVE16'
- OSCILLATOR 2 WAVEFORMTRIANGLE
- OSCILLATOR 2 SYNCOFF
- OSCILLATOR 2 FREQUENCY0st(-7…7 st)
12 o’clock is unison with Oscillator 1
MIXER
- OSCILLATOR 184% travel(0…100 % travel)
Past 1 o’clock the mixer starts to overdrive
- OSCILLATOR 260% travel(0…100 % travel)
FILTERS
- CUTOFF120Hz(20…20000 Hz)
One knob for both filters; SPACING offsets filter 1 against it (p.20)
- FILTER MODESTEREO LP / LP
- RESONANCE 132% travel(0…100 % travel)
Past 3 o’clock the ladder self-oscillates
- RESONANCE 218% travel(0…100 % travel)
- SPACING50% travel(0…100 % travel)
12 o’clock is off; either way from there
- ENVELOPE AMT68% travel(0…100 % travel)
12 o’clock is off; either way from there
- KB TRACKING0% travel(0…100 % travel)
Fully clockwise tracks at 1 V/oct
ENVELOPE GENERATORS
- FILTER ATTACK0% travel(0…100 % travel)
- FILTER DECAY14% travel(0…100 % travel)
- FILTER SUSTAIN0% travel(0…100 % travel)
- FILTER RELEASE12% travel(0…100 % travel)
- AMPLITUDE ATTACK0% travel(0…100 % travel)
- AMPLITUDE DECAY16% travel(0…100 % travel)
- AMPLITUDE SUSTAIN0% travel(0…100 % travel)
- AMPLITUDE RELEASE14% travel(0…100 % travel)
OUTPUT
- VCA MODEAMP ENV
- MAIN VOLUME78% travel(0…100 % travel)
LEFT-HAND CONTROLLER
- GLIDE0% travel(0…100 % travel)
- ENVELOPE GENERATORS · FILTER ENV OUTOSCILLATORS · 1 PITCH IN
2Snare: noise over two short mid tones, both filters open
Routing — VOICE MODE 1. No cable — noise is one of the five normalled mixer channels
PARAPHONY
- VOICE MODE1
All four oscillators play from one key, which is what makes the detunes a unison
All four oscillators on one key
OSCILLATORS
- OSCILLATOR 1 OCTAVE8'
- OSCILLATOR 1 WAVEFORMTRIANGLE
- OSCILLATOR 2 OCTAVE4'
- OSCILLATOR 2 WAVEFORMSQUARE
- OSCILLATOR 2 SYNCOFF
- OSCILLATOR 2 FREQUENCY5st(-7…7 st)
12 o’clock is unison with Oscillator 1
MIXER
- OSCILLATOR 144% travel(0…100 % travel)
Past 1 o’clock the mixer starts to overdrive
- OSCILLATOR 230% travel(0…100 % travel)
- NOISE88% travel(0…100 % travel)
FILTERS
- CUTOFF2400Hz(20…20000 Hz)
One knob for both filters; SPACING offsets filter 1 against it (p.20)
- FILTER MODESERIES HP / LP
- RESONANCE 144% travel(0…100 % travel)
Past 3 o’clock the ladder self-oscillates
- RESONANCE 230% travel(0…100 % travel)
- SPACING62% travel(0…100 % travel)
12 o’clock is off; either way from there
- ENVELOPE AMT30% travel(0…100 % travel)
12 o’clock is off; either way from there
- KB TRACKING0% travel(0…100 % travel)
Fully clockwise tracks at 1 V/oct
ENVELOPE GENERATORS
- FILTER ATTACK0% travel(0…100 % travel)
- FILTER DECAY15% travel(0…100 % travel)
- FILTER SUSTAIN0% travel(0…100 % travel)
- FILTER RELEASE12% travel(0…100 % travel)
- AMPLITUDE ATTACK0% travel(0…100 % travel)
- AMPLITUDE DECAY17% travel(0…100 % travel)
- AMPLITUDE SUSTAIN0% travel(0…100 % travel)
- AMPLITUDE RELEASE14% travel(0…100 % travel)
OUTPUT
- VCA MODEAMP ENV
- MAIN VOLUME74% travel(0…100 % travel)
LEFT-HAND CONTROLLER
- GLIDE0% travel(0…100 % travel)
- VOICE MODE1
3Tom: two triangles, envelope onto pitch, a little noise for the skin
Routing — VOICE MODE 1. One cable: FILTER ENV OUT to OSCILLATORS 1 PITCH IN, shorter and shallower than the kick’s
- ENVELOPE GENERATORS · FILTER ENV OUTOSCILLATORS · 1 PITCH IN
The pitch fall that makes it a tom and not a click
PARAPHONY
- VOICE MODE1
All four oscillators play from one key, which is what makes the detunes a unison
All four oscillators on one key
OSCILLATORS
- OSCILLATOR 1 OCTAVE16'
- OSCILLATOR 1 WAVEFORMTRIANGLE
- OSCILLATOR 2 OCTAVE8'
- OSCILLATOR 2 WAVEFORMTRIANGLE
- OSCILLATOR 2 SYNCOFF
- OSCILLATOR 2 FREQUENCY2st(-7…7 st)
12 o’clock is unison with Oscillator 1
MIXER
- OSCILLATOR 180% travel(0…100 % travel)
Past 1 o’clock the mixer starts to overdrive
- OSCILLATOR 226% travel(0…100 % travel)
- NOISE18% travel(0…100 % travel)
FILTERS
- CUTOFF700Hz(20…20000 Hz)
One knob for both filters; SPACING offsets filter 1 against it (p.20)
- FILTER MODESTEREO LP / LP
- RESONANCE 138% travel(0…100 % travel)
Past 3 o’clock the ladder self-oscillates
- RESONANCE 224% travel(0…100 % travel)
- SPACING50% travel(0…100 % travel)
12 o’clock is off; either way from there
- ENVELOPE AMT32% travel(0…100 % travel)
12 o’clock is off; either way from there
- KB TRACKING0% travel(0…100 % travel)
Fully clockwise tracks at 1 V/oct
ENVELOPE GENERATORS
- FILTER ATTACK0% travel(0…100 % travel)
- FILTER DECAY24% travel(0…100 % travel)
- FILTER SUSTAIN0% travel(0…100 % travel)
- FILTER RELEASE18% travel(0…100 % travel)
- AMPLITUDE ATTACK0% travel(0…100 % travel)
- AMPLITUDE DECAY26% travel(0…100 % travel)
- AMPLITUDE SUSTAIN0% travel(0…100 % travel)
- AMPLITUDE RELEASE20% travel(0…100 % travel)
OUTPUT
- VCA MODEAMP ENV
- MAIN VOLUME74% travel(0…100 % travel)
LEFT-HAND CONTROLLER
- GLIDE0% travel(0…100 % travel)
- ENVELOPE GENERATORS · FILTER ENV OUTOSCILLATORS · 1 PITCH IN
4Three oscillators hard-sync’d down the chain, FREQUENCY as timbre
Routing — VOICE MODE 1. No cable. p.15's sync chain is 2 to 1, 3 to 2 and 4 to 3, and SYNC ENABLE has to be lit for any of them
PARAPHONY
- VOICE MODE1
All four oscillators play from one key, which is what makes the detunes a unison
All four oscillators on one key
OSCILLATORS
- SYNC ENABLEON
Must be lit for any individual oscillator SYNC button to do anything (p.15)
- OSCILLATOR 1 OCTAVE8'
- OSCILLATOR 1 WAVEFORMSAWTOOTH
- OSCILLATOR 2 OCTAVE8'
- OSCILLATOR 2 WAVEFORMSAWTOOTH
- OSCILLATOR 2 SYNCON
- OSCILLATOR 2 FREQUENCY64% travel(0…100 % travel)
Sync’d, so this sets the sync timbre over a range p.14 does not print
- OSCILLATOR 3 OCTAVE4'
- OSCILLATOR 3 WAVEFORMSAWTOOTH
- OSCILLATOR 3 SYNCON
- OSCILLATOR 3 FREQUENCY58% travel(0…100 % travel)
Sync’d, so this sets the sync timbre over a range p.14 does not print
MIXER
- OSCILLATOR 126% travel(0…100 % travel)
Past 1 o’clock the mixer starts to overdrive
- OSCILLATOR 288% travel(0…100 % travel)
- OSCILLATOR 370% travel(0…100 % travel)
FILTERS
- CUTOFF4800Hz(20…20000 Hz)
One knob for both filters; SPACING offsets filter 1 against it (p.20)
- FILTER MODESTEREO LP / LP
- RESONANCE 122% travel(0…100 % travel)
Past 3 o’clock the ladder self-oscillates
- RESONANCE 218% travel(0…100 % travel)
- SPACING50% travel(0…100 % travel)
12 o’clock is off; either way from there
- ENVELOPE AMT34% travel(0…100 % travel)
12 o’clock is off; either way from there
- KB TRACKING100% travel(0…100 % travel)
Fully clockwise tracks at 1 V/oct
ENVELOPE GENERATORS
- FILTER ATTACK0% travel(0…100 % travel)
- FILTER DECAY26% travel(0…100 % travel)
- FILTER SUSTAIN18% travel(0…100 % travel)
- FILTER RELEASE20% travel(0…100 % travel)
- AMPLITUDE ATTACK0% travel(0…100 % travel)
- AMPLITUDE DECAY28% travel(0…100 % travel)
- AMPLITUDE SUSTAIN22% travel(0…100 % travel)
- AMPLITUDE RELEASE22% travel(0…100 % travel)
OUTPUT
- VCA MODEAMP ENV
- MAIN VOLUME70% travel(0…100 % travel)
LEFT-HAND CONTROLLER
- GLIDE0% travel(0…100 % travel)
- VOICE MODE1
5Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input
Routing — VOICE MODE 1. One cable: OSCILLATORS 1 WAVE OUT to OSCILLATORS 2 LIN FM IN. Oscillator 1's mixer level is down because it is the modulator, not a voice
- OSCILLATORS · 1 WAVE OUTOSCILLATORS · 2 LIN FM IN
Linear FM — p.13 calls this "brash, metallic, or bell-like"
PARAPHONY
- VOICE MODE1
All four oscillators play from one key, which is what makes the detunes a unison
All four oscillators on one key
OSCILLATORS
- OSCILLATOR 1 OCTAVE8'
- OSCILLATOR 1 WAVEFORMTRIANGLE
- OSCILLATOR 2 OCTAVE4'
- OSCILLATOR 2 WAVEFORMTRIANGLE
- OSCILLATOR 2 SYNCOFF
- OSCILLATOR 2 FREQUENCY-5st(-7…7 st)
12 o’clock is unison with Oscillator 1
MIXER
- OSCILLATOR 10% travel(0…100 % travel)
Past 1 o’clock the mixer starts to overdrive
- OSCILLATOR 290% travel(0…100 % travel)
FILTERS
- CUTOFF3200Hz(20…20000 Hz)
One knob for both filters; SPACING offsets filter 1 against it (p.20)
- FILTER MODESTEREO LP / LP
- RESONANCE 130% travel(0…100 % travel)
Past 3 o’clock the ladder self-oscillates
- RESONANCE 222% travel(0…100 % travel)
- SPACING50% travel(0…100 % travel)
12 o’clock is off; either way from there
- ENVELOPE AMT28% travel(0…100 % travel)
12 o’clock is off; either way from there
- KB TRACKING100% travel(0…100 % travel)
Fully clockwise tracks at 1 V/oct
ENVELOPE GENERATORS
- FILTER ATTACK2% travel(0…100 % travel)
- FILTER DECAY34% travel(0…100 % travel)
- FILTER SUSTAIN10% travel(0…100 % travel)
- FILTER RELEASE26% travel(0…100 % travel)
- AMPLITUDE ATTACK2% travel(0…100 % travel)
- AMPLITUDE DECAY36% travel(0…100 % travel)
- AMPLITUDE SUSTAIN14% travel(0…100 % travel)
- AMPLITUDE RELEASE28% travel(0…100 % travel)
OUTPUT
- VCA MODEAMP ENV
- MAIN VOLUME68% travel(0…100 % travel)
STEREO DELAY
- DELAY TIME22% travel(0…100 % travel)
- DELAY SPACING60% travel(0…100 % travel)
Offsets delay 2 against delay 1, which is what makes the repeats stereo
12 o’clock is off; either way from there
- DELAY FEEDBACK34% travel(0…100 % travel)
- DELAY MIX26% travel(0…100 % travel)
- PING PONGOFF
LEFT-HAND CONTROLLER
- GLIDE0% travel(0…100 % travel)
- OSCILLATORS · 1 WAVE OUTOSCILLATORS · 2 LIN FM IN
6Noise alone, through both filters in series
Routing — VOICE MODE 1. No cable — SERIES puts the high pass in front of the low pass on the panel (p.20)
PARAPHONY
- VOICE MODE1
All four oscillators play from one key, which is what makes the detunes a unison
All four oscillators on one key
OSCILLATORS
- OSCILLATOR 1 OCTAVE8'
- OSCILLATOR 1 WAVEFORMSAWTOOTH
MIXER
- OSCILLATOR 10% travel(0…100 % travel)
Past 1 o’clock the mixer starts to overdrive
- NOISE96% travel(0…100 % travel)
FILTERS
- CUTOFF3600Hz(20…20000 Hz)
One knob for both filters; SPACING offsets filter 1 against it (p.20)
- FILTER MODESERIES HP / LP
- RESONANCE 156% travel(0…100 % travel)
Past 3 o’clock the ladder self-oscillates
- RESONANCE 244% travel(0…100 % travel)
- SPACING66% travel(0…100 % travel)
12 o’clock is off; either way from there
- ENVELOPE AMT24% travel(0…100 % travel)
12 o’clock is off; either way from there
- KB TRACKING0% travel(0…100 % travel)
Fully clockwise tracks at 1 V/oct
ENVELOPE GENERATORS
- FILTER ATTACK0% travel(0…100 % travel)
- FILTER DECAY30% travel(0…100 % travel)
- FILTER SUSTAIN24% travel(0…100 % travel)
- FILTER RELEASE26% travel(0…100 % travel)
- AMPLITUDE ATTACK0% travel(0…100 % travel)
- AMPLITUDE DECAY32% travel(0…100 % travel)
- AMPLITUDE SUSTAIN26% travel(0…100 % travel)
- AMPLITUDE RELEASE28% travel(0…100 % travel)
OUTPUT
- VCA MODEAMP ENV
- MAIN VOLUME66% travel(0…100 % travel)
LEFT-HAND CONTROLLER
- GLIDE0% travel(0…100 % travel)
- VOICE MODE1
7Impact: everything at once into a long ping-pong delay
Routing — VOICE MODE 1. No cable. The delay is what makes it an impact rather than a hit
PARAPHONY
- VOICE MODE1
All four oscillators play from one key, which is what makes the detunes a unison
All four oscillators on one key
OSCILLATORS
- OSCILLATOR 1 OCTAVE16'
- OSCILLATOR 1 WAVEFORMSAWTOOTH
- OSCILLATOR 2 OCTAVE16'
- OSCILLATOR 2 WAVEFORMNARROW PULSE
- OSCILLATOR 2 SYNCOFF
- OSCILLATOR 2 FREQUENCY-6st(-7…7 st)
12 o’clock is unison with Oscillator 1
- OSCILLATOR 3 OCTAVE8'
- OSCILLATOR 3 WAVEFORMSAWTOOTH
- OSCILLATOR 3 SYNCOFF
- OSCILLATOR 3 FREQUENCY6st(-7…7 st)
12 o’clock is unison with Oscillator 1
- OSCILLATOR 4 OCTAVE8'
- OSCILLATOR 4 WAVEFORMSQUARE
- OSCILLATOR 4 SYNCOFF
- OSCILLATOR 4 FREQUENCY-4st(-7…7 st)
12 o’clock is unison with Oscillator 1
MIXER
- OSCILLATOR 188% travel(0…100 % travel)
Past 1 o’clock the mixer starts to overdrive
- OSCILLATOR 284% travel(0…100 % travel)
- OSCILLATOR 380% travel(0…100 % travel)
- OSCILLATOR 476% travel(0…100 % travel)
- NOISE76% travel(0…100 % travel)
FILTERS
- CUTOFF1800Hz(20…20000 Hz)
One knob for both filters; SPACING offsets filter 1 against it (p.20)
- FILTER MODEPARALLEL HP / LP
- RESONANCE 148% travel(0…100 % travel)
Past 3 o’clock the ladder self-oscillates
- RESONANCE 238% travel(0…100 % travel)
- SPACING60% travel(0…100 % travel)
12 o’clock is off; either way from there
- ENVELOPE AMT52% travel(0…100 % travel)
12 o’clock is off; either way from there
- KB TRACKING0% travel(0…100 % travel)
Fully clockwise tracks at 1 V/oct
ENVELOPE GENERATORS
- FILTER ATTACK0% travel(0…100 % travel)
- FILTER DECAY46% travel(0…100 % travel)
- FILTER SUSTAIN0% travel(0…100 % travel)
- FILTER RELEASE70% travel(0…100 % travel)
- AMPLITUDE ATTACK0% travel(0…100 % travel)
- AMPLITUDE DECAY48% travel(0…100 % travel)
- AMPLITUDE SUSTAIN0% travel(0…100 % travel)
- AMPLITUDE RELEASE74% travel(0…100 % travel)
OUTPUT
- VCA MODEAMP ENV
- MAIN VOLUME78% travel(0…100 % travel)
STEREO DELAY
- DELAY TIME66% travel(0…100 % travel)
- DELAY SPACING74% travel(0…100 % travel)
Offsets delay 2 against delay 1, which is what makes the repeats stereo
12 o’clock is off; either way from there
- DELAY FEEDBACK70% travel(0…100 % travel)
- DELAY MIX62% travel(0…100 % travel)
- PING PONGON
LEFT-HAND CONTROLLER
- GLIDE0% travel(0…100 % travel)
- VOICE MODE1
The page behind any of these values is in Parameter sources below, under the name it is printed with here.
Parameter sources
Every authored parameter, and the page behind each of its claims. Open a name.
ARP/SEQ panel module
DIRECTION 2 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Arpeggio over two octaves, in the order the notes were held arp · bright provisional manual — Moog Matriarch Manual (012023), p.46 ORD · FW / BW · RND Arpeggio, one octave, forward and back, triangles only arp · clean provisional manual — Moog Matriarch Manual (012023), p.46 ORD · FW / BW · RND MODE 2 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Arpeggio over two octaves, in the order the notes were held arp · bright provisional manual — Moog Matriarch Manual (012023), p.45 ARP · SEQ · REC Arpeggio, one octave, forward and back, triangles only arp · clean provisional manual — Moog Matriarch Manual (012023), p.45 ARP · SEQ · REC OCT / BANK 2 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Arpeggio over two octaves, in the order the notes were held arp · bright provisional manual — Moog Matriarch Manual (012023), p.46 1 · 2 · 3 Arpeggio, one octave, forward and back, triangles only arp · clean provisional manual — Moog Matriarch Manual (012023), p.46 1 · 2 · 3
ENVELOPE GENERATORS panel module
AMPLITUDE ATTACK 20 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Acid line: one saw, resonance near self-oscillation, cutoff tracking the keyboard acid · bright provisional unverified 0…100 % travel Arpeggio over two octaves, in the order the notes were held arp · bright provisional unverified 0…100 % travel Arpeggio, one octave, forward and back, triangles only arp · clean provisional unverified 0…100 % travel Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional unverified 0…100 % travel Impact: everything at once into a long ping-pong delay impact · hard provisional unverified 0…100 % travel Kick with the filter envelope cabled onto Oscillator 1’s pitch kick · hard provisional unverified 0…100 % travel Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional unverified 0…100 % travel Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional unverified 0…100 % travel Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional unverified 0…100 % travel Noise alone, through both filters in series noise · dirty provisional unverified 0…100 % travel Four-note pad an octave down, saws, cutoff low and still pad · dark provisional unverified 0…100 % travel Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional unverified 0…100 % travel Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional unverified 0…100 % travel Snare: noise over two short mid tones, both filters open snare · hard provisional unverified 0…100 % travel Clean chord stab, triangles, no delay stab · clean provisional unverified 0…100 % travel Chord stab, four notes, everything short stab · hard provisional unverified 0…100 % travel Sub from all four triangles stacked on one key sub · dark provisional unverified 0…100 % travel Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional unverified 0…100 % travel Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional unverified 0…100 % travel Tom: two triangles, envelope onto pitch, a little noise for the skin tom · hard provisional unverified 0…100 % travel AMPLITUDE DECAY 20 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Acid line: one saw, resonance near self-oscillation, cutoff tracking the keyboard acid · bright provisional unverified 0…100 % travel Arpeggio over two octaves, in the order the notes were held arp · bright provisional unverified 0…100 % travel Arpeggio, one octave, forward and back, triangles only arp · clean provisional unverified 0…100 % travel Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional unverified 0…100 % travel Impact: everything at once into a long ping-pong delay impact · hard provisional unverified 0…100 % travel Kick with the filter envelope cabled onto Oscillator 1’s pitch kick · hard provisional unverified 0…100 % travel Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional unverified 0…100 % travel Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional unverified 0…100 % travel Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional unverified 0…100 % travel Noise alone, through both filters in series noise · dirty provisional unverified 0…100 % travel Four-note pad an octave down, saws, cutoff low and still pad · dark provisional unverified 0…100 % travel Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional unverified 0…100 % travel Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional unverified 0…100 % travel Snare: noise over two short mid tones, both filters open snare · hard provisional unverified 0…100 % travel Clean chord stab, triangles, no delay stab · clean provisional unverified 0…100 % travel Chord stab, four notes, everything short stab · hard provisional unverified 0…100 % travel Sub from all four triangles stacked on one key sub · dark provisional unverified 0…100 % travel Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional unverified 0…100 % travel Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional unverified 0…100 % travel Tom: two triangles, envelope onto pitch, a little noise for the skin tom · hard provisional unverified 0…100 % travel AMPLITUDE RELEASE 20 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Acid line: one saw, resonance near self-oscillation, cutoff tracking the keyboard acid · bright provisional unverified 0…100 % travel Arpeggio over two octaves, in the order the notes were held arp · bright provisional unverified 0…100 % travel Arpeggio, one octave, forward and back, triangles only arp · clean provisional unverified 0…100 % travel Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional unverified 0…100 % travel Impact: everything at once into a long ping-pong delay impact · hard provisional unverified 0…100 % travel Kick with the filter envelope cabled onto Oscillator 1’s pitch kick · hard provisional unverified 0…100 % travel Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional unverified 0…100 % travel Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional unverified 0…100 % travel Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional unverified 0…100 % travel Noise alone, through both filters in series noise · dirty provisional unverified 0…100 % travel Four-note pad an octave down, saws, cutoff low and still pad · dark provisional unverified 0…100 % travel Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional unverified 0…100 % travel Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional unverified 0…100 % travel Snare: noise over two short mid tones, both filters open snare · hard provisional unverified 0…100 % travel Clean chord stab, triangles, no delay stab · clean provisional unverified 0…100 % travel Chord stab, four notes, everything short stab · hard provisional unverified 0…100 % travel Sub from all four triangles stacked on one key sub · dark provisional unverified 0…100 % travel Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional unverified 0…100 % travel Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional unverified 0…100 % travel Tom: two triangles, envelope onto pitch, a little noise for the skin tom · hard provisional unverified 0…100 % travel AMPLITUDE SUSTAIN 20 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Acid line: one saw, resonance near self-oscillation, cutoff tracking the keyboard acid · bright provisional unverified 0…100 % travel Arpeggio over two octaves, in the order the notes were held arp · bright provisional unverified 0…100 % travel Arpeggio, one octave, forward and back, triangles only arp · clean provisional unverified 0…100 % travel Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional unverified 0…100 % travel Impact: everything at once into a long ping-pong delay impact · hard provisional unverified 0…100 % travel Kick with the filter envelope cabled onto Oscillator 1’s pitch kick · hard provisional unverified 0…100 % travel Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional unverified 0…100 % travel Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional unverified 0…100 % travel Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional unverified 0…100 % travel Noise alone, through both filters in series noise · dirty provisional unverified 0…100 % travel Four-note pad an octave down, saws, cutoff low and still pad · dark provisional unverified 0…100 % travel Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional unverified 0…100 % travel Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional unverified 0…100 % travel Snare: noise over two short mid tones, both filters open snare · hard provisional unverified 0…100 % travel Clean chord stab, triangles, no delay stab · clean provisional unverified 0…100 % travel Chord stab, four notes, everything short stab · hard provisional unverified 0…100 % travel Sub from all four triangles stacked on one key sub · dark provisional unverified 0…100 % travel Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional unverified 0…100 % travel Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional unverified 0…100 % travel Tom: two triangles, envelope onto pitch, a little noise for the skin tom · hard provisional unverified 0…100 % travel FILTER ATTACK 20 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Acid line: one saw, resonance near self-oscillation, cutoff tracking the keyboard acid · bright provisional unverified 0…100 % travel Arpeggio over two octaves, in the order the notes were held arp · bright provisional unverified 0…100 % travel Arpeggio, one octave, forward and back, triangles only arp · clean provisional unverified 0…100 % travel Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional unverified 0…100 % travel Impact: everything at once into a long ping-pong delay impact · hard provisional unverified 0…100 % travel Kick with the filter envelope cabled onto Oscillator 1’s pitch kick · hard provisional unverified 0…100 % travel Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional unverified 0…100 % travel Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional unverified 0…100 % travel Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional unverified 0…100 % travel Noise alone, through both filters in series noise · dirty provisional unverified 0…100 % travel Four-note pad an octave down, saws, cutoff low and still pad · dark provisional unverified 0…100 % travel Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional unverified 0…100 % travel Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional unverified 0…100 % travel Snare: noise over two short mid tones, both filters open snare · hard provisional unverified 0…100 % travel Clean chord stab, triangles, no delay stab · clean provisional unverified 0…100 % travel Chord stab, four notes, everything short stab · hard provisional unverified 0…100 % travel Sub from all four triangles stacked on one key sub · dark provisional unverified 0…100 % travel Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional unverified 0…100 % travel Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional unverified 0…100 % travel Tom: two triangles, envelope onto pitch, a little noise for the skin tom · hard provisional unverified 0…100 % travel FILTER DECAY 20 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Acid line: one saw, resonance near self-oscillation, cutoff tracking the keyboard acid · bright provisional unverified 0…100 % travel Arpeggio over two octaves, in the order the notes were held arp · bright provisional unverified 0…100 % travel Arpeggio, one octave, forward and back, triangles only arp · clean provisional unverified 0…100 % travel Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional unverified 0…100 % travel Impact: everything at once into a long ping-pong delay impact · hard provisional unverified 0…100 % travel Kick with the filter envelope cabled onto Oscillator 1’s pitch kick · hard provisional unverified 0…100 % travel Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional unverified 0…100 % travel Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional unverified 0…100 % travel Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional unverified 0…100 % travel Noise alone, through both filters in series noise · dirty provisional unverified 0…100 % travel Four-note pad an octave down, saws, cutoff low and still pad · dark provisional unverified 0…100 % travel Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional unverified 0…100 % travel Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional unverified 0…100 % travel Snare: noise over two short mid tones, both filters open snare · hard provisional unverified 0…100 % travel Clean chord stab, triangles, no delay stab · clean provisional unverified 0…100 % travel Chord stab, four notes, everything short stab · hard provisional unverified 0…100 % travel Sub from all four triangles stacked on one key sub · dark provisional unverified 0…100 % travel Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional unverified 0…100 % travel Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional unverified 0…100 % travel Tom: two triangles, envelope onto pitch, a little noise for the skin tom · hard provisional unverified 0…100 % travel FILTER RELEASE 20 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Acid line: one saw, resonance near self-oscillation, cutoff tracking the keyboard acid · bright provisional unverified 0…100 % travel Arpeggio over two octaves, in the order the notes were held arp · bright provisional unverified 0…100 % travel Arpeggio, one octave, forward and back, triangles only arp · clean provisional unverified 0…100 % travel Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional unverified 0…100 % travel Impact: everything at once into a long ping-pong delay impact · hard provisional unverified 0…100 % travel Kick with the filter envelope cabled onto Oscillator 1’s pitch kick · hard provisional unverified 0…100 % travel Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional unverified 0…100 % travel Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional unverified 0…100 % travel Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional unverified 0…100 % travel Noise alone, through both filters in series noise · dirty provisional unverified 0…100 % travel Four-note pad an octave down, saws, cutoff low and still pad · dark provisional unverified 0…100 % travel Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional unverified 0…100 % travel Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional unverified 0…100 % travel Snare: noise over two short mid tones, both filters open snare · hard provisional unverified 0…100 % travel Clean chord stab, triangles, no delay stab · clean provisional unverified 0…100 % travel Chord stab, four notes, everything short stab · hard provisional unverified 0…100 % travel Sub from all four triangles stacked on one key sub · dark provisional unverified 0…100 % travel Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional unverified 0…100 % travel Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional unverified 0…100 % travel Tom: two triangles, envelope onto pitch, a little noise for the skin tom · hard provisional unverified 0…100 % travel FILTER SUSTAIN 20 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Acid line: one saw, resonance near self-oscillation, cutoff tracking the keyboard acid · bright provisional unverified 0…100 % travel Arpeggio over two octaves, in the order the notes were held arp · bright provisional unverified 0…100 % travel Arpeggio, one octave, forward and back, triangles only arp · clean provisional unverified 0…100 % travel Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional unverified 0…100 % travel Impact: everything at once into a long ping-pong delay impact · hard provisional unverified 0…100 % travel Kick with the filter envelope cabled onto Oscillator 1’s pitch kick · hard provisional unverified 0…100 % travel Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional unverified 0…100 % travel Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional unverified 0…100 % travel Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional unverified 0…100 % travel Noise alone, through both filters in series noise · dirty provisional unverified 0…100 % travel Four-note pad an octave down, saws, cutoff low and still pad · dark provisional unverified 0…100 % travel Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional unverified 0…100 % travel Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional unverified 0…100 % travel Snare: noise over two short mid tones, both filters open snare · hard provisional unverified 0…100 % travel Clean chord stab, triangles, no delay stab · clean provisional unverified 0…100 % travel Chord stab, four notes, everything short stab · hard provisional unverified 0…100 % travel Sub from all four triangles stacked on one key sub · dark provisional unverified 0…100 % travel Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional unverified 0…100 % travel Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional unverified 0…100 % travel Tom: two triangles, envelope onto pitch, a little noise for the skin tom · hard provisional unverified 0…100 % travel
FILTERS panel module
CUTOFF 20 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Acid line: one saw, resonance near self-oscillation, cutoff tracking the keyboard acid · bright provisional manual — Moog Matriarch Manual (012023), p.21 20…20000 Hz Arpeggio over two octaves, in the order the notes were held arp · bright provisional manual — Moog Matriarch Manual (012023), p.21 20…20000 Hz Arpeggio, one octave, forward and back, triangles only arp · clean provisional manual — Moog Matriarch Manual (012023), p.21 20…20000 Hz Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional manual — Moog Matriarch Manual (012023), p.21 20…20000 Hz Impact: everything at once into a long ping-pong delay impact · hard provisional manual — Moog Matriarch Manual (012023), p.21 20…20000 Hz Kick with the filter envelope cabled onto Oscillator 1’s pitch kick · hard provisional manual — Moog Matriarch Manual (012023), p.21 20…20000 Hz Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional manual — Moog Matriarch Manual (012023), p.21 20…20000 Hz Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional manual — Moog Matriarch Manual (012023), p.21 20…20000 Hz Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional manual — Moog Matriarch Manual (012023), p.21 20…20000 Hz Noise alone, through both filters in series noise · dirty provisional manual — Moog Matriarch Manual (012023), p.21 20…20000 Hz Four-note pad an octave down, saws, cutoff low and still pad · dark provisional manual — Moog Matriarch Manual (012023), p.21 20…20000 Hz Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional manual — Moog Matriarch Manual (012023), p.21 20…20000 Hz Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional manual — Moog Matriarch Manual (012023), p.21 20…20000 Hz Snare: noise over two short mid tones, both filters open snare · hard provisional manual — Moog Matriarch Manual (012023), p.21 20…20000 Hz Clean chord stab, triangles, no delay stab · clean provisional manual — Moog Matriarch Manual (012023), p.21 20…20000 Hz Chord stab, four notes, everything short stab · hard provisional manual — Moog Matriarch Manual (012023), p.21 20…20000 Hz Sub from all four triangles stacked on one key sub · dark provisional manual — Moog Matriarch Manual (012023), p.21 20…20000 Hz Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional manual — Moog Matriarch Manual (012023), p.21 20…20000 Hz Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional manual — Moog Matriarch Manual (012023), p.21 20…20000 Hz Tom: two triangles, envelope onto pitch, a little noise for the skin tom · hard provisional manual — Moog Matriarch Manual (012023), p.21 20…20000 Hz ENVELOPE AMT 20 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Acid line: one saw, resonance near self-oscillation, cutoff tracking the keyboard acid · bright provisional unverified 0…100 % travel Arpeggio over two octaves, in the order the notes were held arp · bright provisional unverified 0…100 % travel Arpeggio, one octave, forward and back, triangles only arp · clean provisional unverified 0…100 % travel Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional unverified 0…100 % travel Impact: everything at once into a long ping-pong delay impact · hard provisional unverified 0…100 % travel Kick with the filter envelope cabled onto Oscillator 1’s pitch kick · hard provisional unverified 0…100 % travel Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional unverified 0…100 % travel Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional unverified 0…100 % travel Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional unverified 0…100 % travel Noise alone, through both filters in series noise · dirty provisional unverified 0…100 % travel Four-note pad an octave down, saws, cutoff low and still pad · dark provisional unverified 0…100 % travel Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional unverified 0…100 % travel Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional unverified 0…100 % travel Snare: noise over two short mid tones, both filters open snare · hard provisional unverified 0…100 % travel Clean chord stab, triangles, no delay stab · clean provisional unverified 0…100 % travel Chord stab, four notes, everything short stab · hard provisional unverified 0…100 % travel Sub from all four triangles stacked on one key sub · dark provisional unverified 0…100 % travel Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional unverified 0…100 % travel Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional unverified 0…100 % travel Tom: two triangles, envelope onto pitch, a little noise for the skin tom · hard provisional unverified 0…100 % travel FILTER MODE 20 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Acid line: one saw, resonance near self-oscillation, cutoff tracking the keyboard acid · bright provisional manual — Moog Matriarch Manual (012023), p.20 SERIES HP / LP · STEREO LP / LP · PARALLEL HP / LP Arpeggio over two octaves, in the order the notes were held arp · bright provisional manual — Moog Matriarch Manual (012023), p.20 SERIES HP / LP · STEREO LP / LP · PARALLEL HP / LP Arpeggio, one octave, forward and back, triangles only arp · clean provisional manual — Moog Matriarch Manual (012023), p.20 SERIES HP / LP · STEREO LP / LP · PARALLEL HP / LP Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional manual — Moog Matriarch Manual (012023), p.20 SERIES HP / LP · STEREO LP / LP · PARALLEL HP / LP Impact: everything at once into a long ping-pong delay impact · hard provisional manual — Moog Matriarch Manual (012023), p.20 SERIES HP / LP · STEREO LP / LP · PARALLEL HP / LP Kick with the filter envelope cabled onto Oscillator 1’s pitch kick · hard provisional manual — Moog Matriarch Manual (012023), p.20 SERIES HP / LP · STEREO LP / LP · PARALLEL HP / LP Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional manual — Moog Matriarch Manual (012023), p.20 SERIES HP / LP · STEREO LP / LP · PARALLEL HP / LP Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional manual — Moog Matriarch Manual (012023), p.20 SERIES HP / LP · STEREO LP / LP · PARALLEL HP / LP Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional manual — Moog Matriarch Manual (012023), p.20 SERIES HP / LP · STEREO LP / LP · PARALLEL HP / LP Noise alone, through both filters in series noise · dirty provisional manual — Moog Matriarch Manual (012023), p.20 SERIES HP / LP · STEREO LP / LP · PARALLEL HP / LP Four-note pad an octave down, saws, cutoff low and still pad · dark provisional manual — Moog Matriarch Manual (012023), p.20 SERIES HP / LP · STEREO LP / LP · PARALLEL HP / LP Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional manual — Moog Matriarch Manual (012023), p.20 SERIES HP / LP · STEREO LP / LP · PARALLEL HP / LP Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional manual — Moog Matriarch Manual (012023), p.20 SERIES HP / LP · STEREO LP / LP · PARALLEL HP / LP Snare: noise over two short mid tones, both filters open snare · hard provisional manual — Moog Matriarch Manual (012023), p.20 SERIES HP / LP · STEREO LP / LP · PARALLEL HP / LP Clean chord stab, triangles, no delay stab · clean provisional manual — Moog Matriarch Manual (012023), p.20 SERIES HP / LP · STEREO LP / LP · PARALLEL HP / LP Chord stab, four notes, everything short stab · hard provisional manual — Moog Matriarch Manual (012023), p.20 SERIES HP / LP · STEREO LP / LP · PARALLEL HP / LP Sub from all four triangles stacked on one key sub · dark provisional manual — Moog Matriarch Manual (012023), p.20 SERIES HP / LP · STEREO LP / LP · PARALLEL HP / LP Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional manual — Moog Matriarch Manual (012023), p.20 SERIES HP / LP · STEREO LP / LP · PARALLEL HP / LP Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional manual — Moog Matriarch Manual (012023), p.20 SERIES HP / LP · STEREO LP / LP · PARALLEL HP / LP Tom: two triangles, envelope onto pitch, a little noise for the skin tom · hard provisional manual — Moog Matriarch Manual (012023), p.20 SERIES HP / LP · STEREO LP / LP · PARALLEL HP / LP KB TRACKING 20 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Acid line: one saw, resonance near self-oscillation, cutoff tracking the keyboard acid · bright provisional unverified 0…100 % travel Arpeggio over two octaves, in the order the notes were held arp · bright provisional unverified 0…100 % travel Arpeggio, one octave, forward and back, triangles only arp · clean provisional unverified 0…100 % travel Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional unverified 0…100 % travel Impact: everything at once into a long ping-pong delay impact · hard provisional unverified 0…100 % travel Kick with the filter envelope cabled onto Oscillator 1’s pitch kick · hard provisional unverified 0…100 % travel Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional unverified 0…100 % travel Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional unverified 0…100 % travel Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional unverified 0…100 % travel Noise alone, through both filters in series noise · dirty provisional unverified 0…100 % travel Four-note pad an octave down, saws, cutoff low and still pad · dark provisional unverified 0…100 % travel Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional unverified 0…100 % travel Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional unverified 0…100 % travel Snare: noise over two short mid tones, both filters open snare · hard provisional unverified 0…100 % travel Clean chord stab, triangles, no delay stab · clean provisional unverified 0…100 % travel Chord stab, four notes, everything short stab · hard provisional unverified 0…100 % travel Sub from all four triangles stacked on one key sub · dark provisional unverified 0…100 % travel Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional unverified 0…100 % travel Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional unverified 0…100 % travel Tom: two triangles, envelope onto pitch, a little noise for the skin tom · hard provisional unverified 0…100 % travel RESONANCE 1 20 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Acid line: one saw, resonance near self-oscillation, cutoff tracking the keyboard acid · bright provisional unverified 0…100 % travel Arpeggio over two octaves, in the order the notes were held arp · bright provisional unverified 0…100 % travel Arpeggio, one octave, forward and back, triangles only arp · clean provisional unverified 0…100 % travel Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional unverified 0…100 % travel Impact: everything at once into a long ping-pong delay impact · hard provisional unverified 0…100 % travel Kick with the filter envelope cabled onto Oscillator 1’s pitch kick · hard provisional unverified 0…100 % travel Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional unverified 0…100 % travel Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional unverified 0…100 % travel Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional unverified 0…100 % travel Noise alone, through both filters in series noise · dirty provisional unverified 0…100 % travel Four-note pad an octave down, saws, cutoff low and still pad · dark provisional unverified 0…100 % travel Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional unverified 0…100 % travel Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional unverified 0…100 % travel Snare: noise over two short mid tones, both filters open snare · hard provisional unverified 0…100 % travel Clean chord stab, triangles, no delay stab · clean provisional unverified 0…100 % travel Chord stab, four notes, everything short stab · hard provisional unverified 0…100 % travel Sub from all four triangles stacked on one key sub · dark provisional unverified 0…100 % travel Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional unverified 0…100 % travel Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional unverified 0…100 % travel Tom: two triangles, envelope onto pitch, a little noise for the skin tom · hard provisional unverified 0…100 % travel RESONANCE 2 20 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Acid line: one saw, resonance near self-oscillation, cutoff tracking the keyboard acid · bright provisional unverified 0…100 % travel Arpeggio over two octaves, in the order the notes were held arp · bright provisional unverified 0…100 % travel Arpeggio, one octave, forward and back, triangles only arp · clean provisional unverified 0…100 % travel Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional unverified 0…100 % travel Impact: everything at once into a long ping-pong delay impact · hard provisional unverified 0…100 % travel Kick with the filter envelope cabled onto Oscillator 1’s pitch kick · hard provisional unverified 0…100 % travel Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional unverified 0…100 % travel Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional unverified 0…100 % travel Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional unverified 0…100 % travel Noise alone, through both filters in series noise · dirty provisional unverified 0…100 % travel Four-note pad an octave down, saws, cutoff low and still pad · dark provisional unverified 0…100 % travel Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional unverified 0…100 % travel Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional unverified 0…100 % travel Snare: noise over two short mid tones, both filters open snare · hard provisional unverified 0…100 % travel Clean chord stab, triangles, no delay stab · clean provisional unverified 0…100 % travel Chord stab, four notes, everything short stab · hard provisional unverified 0…100 % travel Sub from all four triangles stacked on one key sub · dark provisional unverified 0…100 % travel Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional unverified 0…100 % travel Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional unverified 0…100 % travel Tom: two triangles, envelope onto pitch, a little noise for the skin tom · hard provisional unverified 0…100 % travel SPACING 20 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Acid line: one saw, resonance near self-oscillation, cutoff tracking the keyboard acid · bright provisional unverified 0…100 % travel Arpeggio over two octaves, in the order the notes were held arp · bright provisional unverified 0…100 % travel Arpeggio, one octave, forward and back, triangles only arp · clean provisional unverified 0…100 % travel Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional unverified 0…100 % travel Impact: everything at once into a long ping-pong delay impact · hard provisional unverified 0…100 % travel Kick with the filter envelope cabled onto Oscillator 1’s pitch kick · hard provisional unverified 0…100 % travel Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional unverified 0…100 % travel Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional unverified 0…100 % travel Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional unverified 0…100 % travel Noise alone, through both filters in series noise · dirty provisional unverified 0…100 % travel Four-note pad an octave down, saws, cutoff low and still pad · dark provisional unverified 0…100 % travel Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional unverified 0…100 % travel Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional unverified 0…100 % travel Snare: noise over two short mid tones, both filters open snare · hard provisional unverified 0…100 % travel Clean chord stab, triangles, no delay stab · clean provisional unverified 0…100 % travel Chord stab, four notes, everything short stab · hard provisional unverified 0…100 % travel Sub from all four triangles stacked on one key sub · dark provisional unverified 0…100 % travel Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional unverified 0…100 % travel Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional unverified 0…100 % travel Tom: two triangles, envelope onto pitch, a little noise for the skin tom · hard provisional unverified 0…100 % travel
LEFT-HAND CONTROLLER panel module
GLIDE 20 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Acid line: one saw, resonance near self-oscillation, cutoff tracking the keyboard acid · bright provisional unverified 0…100 % travel Arpeggio over two octaves, in the order the notes were held arp · bright provisional unverified 0…100 % travel Arpeggio, one octave, forward and back, triangles only arp · clean provisional unverified 0…100 % travel Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional unverified 0…100 % travel Impact: everything at once into a long ping-pong delay impact · hard provisional unverified 0…100 % travel Kick with the filter envelope cabled onto Oscillator 1’s pitch kick · hard provisional unverified 0…100 % travel Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional unverified 0…100 % travel Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional unverified 0…100 % travel Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional unverified 0…100 % travel Noise alone, through both filters in series noise · dirty provisional unverified 0…100 % travel Four-note pad an octave down, saws, cutoff low and still pad · dark provisional unverified 0…100 % travel Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional unverified 0…100 % travel Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional unverified 0…100 % travel Snare: noise over two short mid tones, both filters open snare · hard provisional unverified 0…100 % travel Clean chord stab, triangles, no delay stab · clean provisional unverified 0…100 % travel Chord stab, four notes, everything short stab · hard provisional unverified 0…100 % travel Sub from all four triangles stacked on one key sub · dark provisional unverified 0…100 % travel Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional unverified 0…100 % travel Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional unverified 0…100 % travel Tom: two triangles, envelope onto pitch, a little noise for the skin tom · hard provisional unverified 0…100 % travel MOD 4 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional unverified 0…100 % travel Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional unverified 0…100 % travel Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional unverified 0…100 % travel Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional unverified 0…100 % travel
MIXER panel module
NOISE 7 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Impact: everything at once into a long ping-pong delay impact · hard provisional unverified 0…100 % travel Noise alone, through both filters in series noise · dirty provisional unverified 0…100 % travel Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional unverified 0…100 % travel Snare: noise over two short mid tones, both filters open snare · hard provisional unverified 0…100 % travel Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional unverified 0…100 % travel Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional unverified 0…100 % travel Tom: two triangles, envelope onto pitch, a little noise for the skin tom · hard provisional unverified 0…100 % travel OSCILLATOR 1 20 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Acid line: one saw, resonance near self-oscillation, cutoff tracking the keyboard acid · bright provisional unverified 0…100 % travel Arpeggio over two octaves, in the order the notes were held arp · bright provisional unverified 0…100 % travel Arpeggio, one octave, forward and back, triangles only arp · clean provisional unverified 0…100 % travel Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional unverified 0…100 % travel Impact: everything at once into a long ping-pong delay impact · hard provisional unverified 0…100 % travel Kick with the filter envelope cabled onto Oscillator 1’s pitch kick · hard provisional unverified 0…100 % travel Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional unverified 0…100 % travel Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional unverified 0…100 % travel Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional unverified 0…100 % travel Noise alone, through both filters in series noise · dirty provisional unverified 0…100 % travel Four-note pad an octave down, saws, cutoff low and still pad · dark provisional unverified 0…100 % travel Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional unverified 0…100 % travel Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional unverified 0…100 % travel Snare: noise over two short mid tones, both filters open snare · hard provisional unverified 0…100 % travel Clean chord stab, triangles, no delay stab · clean provisional unverified 0…100 % travel Chord stab, four notes, everything short stab · hard provisional unverified 0…100 % travel Sub from all four triangles stacked on one key sub · dark provisional unverified 0…100 % travel Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional unverified 0…100 % travel Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional unverified 0…100 % travel Tom: two triangles, envelope onto pitch, a little noise for the skin tom · hard provisional unverified 0…100 % travel OSCILLATOR 2 18 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Arpeggio over two octaves, in the order the notes were held arp · bright provisional unverified 0…100 % travel Arpeggio, one octave, forward and back, triangles only arp · clean provisional unverified 0…100 % travel Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional unverified 0…100 % travel Impact: everything at once into a long ping-pong delay impact · hard provisional unverified 0…100 % travel Kick with the filter envelope cabled onto Oscillator 1’s pitch kick · hard provisional unverified 0…100 % travel Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional unverified 0…100 % travel Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional unverified 0…100 % travel Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional unverified 0…100 % travel Four-note pad an octave down, saws, cutoff low and still pad · dark provisional unverified 0…100 % travel Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional unverified 0…100 % travel Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional unverified 0…100 % travel Snare: noise over two short mid tones, both filters open snare · hard provisional unverified 0…100 % travel Clean chord stab, triangles, no delay stab · clean provisional unverified 0…100 % travel Chord stab, four notes, everything short stab · hard provisional unverified 0…100 % travel Sub from all four triangles stacked on one key sub · dark provisional unverified 0…100 % travel Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional unverified 0…100 % travel Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional unverified 0…100 % travel Tom: two triangles, envelope onto pitch, a little noise for the skin tom · hard provisional unverified 0…100 % travel OSCILLATOR 3 9 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional unverified 0…100 % travel Impact: everything at once into a long ping-pong delay impact · hard provisional unverified 0…100 % travel Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional unverified 0…100 % travel Four-note pad an octave down, saws, cutoff low and still pad · dark provisional unverified 0…100 % travel Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional unverified 0…100 % travel Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional unverified 0…100 % travel Clean chord stab, triangles, no delay stab · clean provisional unverified 0…100 % travel Chord stab, four notes, everything short stab · hard provisional unverified 0…100 % travel Sub from all four triangles stacked on one key sub · dark provisional unverified 0…100 % travel OSCILLATOR 4 7 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional unverified 0…100 % travel Impact: everything at once into a long ping-pong delay impact · hard provisional unverified 0…100 % travel Four-note pad an octave down, saws, cutoff low and still pad · dark provisional unverified 0…100 % travel Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional unverified 0…100 % travel Clean chord stab, triangles, no delay stab · clean provisional unverified 0…100 % travel Chord stab, four notes, everything short stab · hard provisional unverified 0…100 % travel Sub from all four triangles stacked on one key sub · dark provisional unverified 0…100 % travel
MODULATION panel module
CUTOFF AMT 2 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional unverified 0…100 % travel Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional unverified 0…100 % travel MODULATION RATE 4 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional manual — Moog Matriarch Manual (012023), p.36 0.07…1300 Hz Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional manual — Moog Matriarch Manual (012023), p.36 0.07…1300 Hz Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional manual — Moog Matriarch Manual (012023), p.36 0.07…1300 Hz Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional manual — Moog Matriarch Manual (012023), p.36 0.07…1300 Hz MODULATION WAVEFORM 4 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional manual — Moog Matriarch Manual (012023), p.36 SINE · SAWTOOTH · RAMP · SQUARE · STAIRCASE · SMOOTH RANDOM · S / H Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional manual — Moog Matriarch Manual (012023), p.36 SINE · SAWTOOTH · RAMP · SQUARE · STAIRCASE · SMOOTH RANDOM · S / H Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional manual — Moog Matriarch Manual (012023), p.36 SINE · SAWTOOTH · RAMP · SQUARE · STAIRCASE · SMOOTH RANDOM · S / H Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional manual — Moog Matriarch Manual (012023), p.36 SINE · SAWTOOTH · RAMP · SQUARE · STAIRCASE · SMOOTH RANDOM · S / H PITCH AMT 2 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional unverified 0…100 % travel Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional unverified 0…100 % travel PITCH MOD ASSIGN 3 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional manual — Moog Matriarch Manual (012023), p.36 1 & 3 · ALL · 2 & 4 Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional manual — Moog Matriarch Manual (012023), p.36 1 & 3 · ALL · 2 & 4 Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional manual — Moog Matriarch Manual (012023), p.36 1 & 3 · ALL · 2 & 4 PULSE WIDTH AMT 1 recipe
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional unverified 0…100 % travel
OSCILLATORS panel module
OSCILLATOR 1 OCTAVE 20 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Acid line: one saw, resonance near self-oscillation, cutoff tracking the keyboard acid · bright provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Arpeggio over two octaves, in the order the notes were held arp · bright provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Arpeggio, one octave, forward and back, triangles only arp · clean provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Impact: everything at once into a long ping-pong delay impact · hard provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Kick with the filter envelope cabled onto Oscillator 1’s pitch kick · hard provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Noise alone, through both filters in series noise · dirty provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Four-note pad an octave down, saws, cutoff low and still pad · dark provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Snare: noise over two short mid tones, both filters open snare · hard provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Clean chord stab, triangles, no delay stab · clean provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Chord stab, four notes, everything short stab · hard provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Sub from all four triangles stacked on one key sub · dark provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Tom: two triangles, envelope onto pitch, a little noise for the skin tom · hard provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' OSCILLATOR 1 WAVEFORM 20 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Acid line: one saw, resonance near self-oscillation, cutoff tracking the keyboard acid · bright provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Arpeggio over two octaves, in the order the notes were held arp · bright provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Arpeggio, one octave, forward and back, triangles only arp · clean provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Impact: everything at once into a long ping-pong delay impact · hard provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Kick with the filter envelope cabled onto Oscillator 1’s pitch kick · hard provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Noise alone, through both filters in series noise · dirty provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Four-note pad an octave down, saws, cutoff low and still pad · dark provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Snare: noise over two short mid tones, both filters open snare · hard provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Clean chord stab, triangles, no delay stab · clean provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Chord stab, four notes, everything short stab · hard provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Sub from all four triangles stacked on one key sub · dark provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Tom: two triangles, envelope onto pitch, a little noise for the skin tom · hard provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE OSCILLATOR 2 FREQUENCY 18 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Arpeggio over two octaves, in the order the notes were held arp · bright provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st Arpeggio, one octave, forward and back, triangles only arp · clean provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st Impact: everything at once into a long ping-pong delay impact · hard provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st Kick with the filter envelope cabled onto Oscillator 1’s pitch kick · hard provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional unverified 0…100 % travel Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st Four-note pad an octave down, saws, cutoff low and still pad · dark provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st Snare: noise over two short mid tones, both filters open snare · hard provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st Clean chord stab, triangles, no delay stab · clean provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st Chord stab, four notes, everything short stab · hard provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st Sub from all four triangles stacked on one key sub · dark provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st Tom: two triangles, envelope onto pitch, a little noise for the skin tom · hard provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st OSCILLATOR 2 OCTAVE 18 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Arpeggio over two octaves, in the order the notes were held arp · bright provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Arpeggio, one octave, forward and back, triangles only arp · clean provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Impact: everything at once into a long ping-pong delay impact · hard provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Kick with the filter envelope cabled onto Oscillator 1’s pitch kick · hard provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Four-note pad an octave down, saws, cutoff low and still pad · dark provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Snare: noise over two short mid tones, both filters open snare · hard provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Clean chord stab, triangles, no delay stab · clean provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Chord stab, four notes, everything short stab · hard provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Sub from all four triangles stacked on one key sub · dark provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Tom: two triangles, envelope onto pitch, a little noise for the skin tom · hard provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' OSCILLATOR 2 SYNC 18 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Arpeggio over two octaves, in the order the notes were held arp · bright provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON Arpeggio, one octave, forward and back, triangles only arp · clean provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON Impact: everything at once into a long ping-pong delay impact · hard provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON Kick with the filter envelope cabled onto Oscillator 1’s pitch kick · hard provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON Four-note pad an octave down, saws, cutoff low and still pad · dark provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON Snare: noise over two short mid tones, both filters open snare · hard provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON Clean chord stab, triangles, no delay stab · clean provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON Chord stab, four notes, everything short stab · hard provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON Sub from all four triangles stacked on one key sub · dark provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON Tom: two triangles, envelope onto pitch, a little noise for the skin tom · hard provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON OSCILLATOR 2 WAVEFORM 18 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Arpeggio over two octaves, in the order the notes were held arp · bright provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Arpeggio, one octave, forward and back, triangles only arp · clean provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Impact: everything at once into a long ping-pong delay impact · hard provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Kick with the filter envelope cabled onto Oscillator 1’s pitch kick · hard provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Four-note pad an octave down, saws, cutoff low and still pad · dark provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Snare: noise over two short mid tones, both filters open snare · hard provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Clean chord stab, triangles, no delay stab · clean provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Chord stab, four notes, everything short stab · hard provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Sub from all four triangles stacked on one key sub · dark provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Tom: two triangles, envelope onto pitch, a little noise for the skin tom · hard provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE OSCILLATOR 3 FREQUENCY 9 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st Impact: everything at once into a long ping-pong delay impact · hard provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional unverified 0…100 % travel Four-note pad an octave down, saws, cutoff low and still pad · dark provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st Clean chord stab, triangles, no delay stab · clean provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st Chord stab, four notes, everything short stab · hard provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st Sub from all four triangles stacked on one key sub · dark provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st OSCILLATOR 3 OCTAVE 9 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Impact: everything at once into a long ping-pong delay impact · hard provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Four-note pad an octave down, saws, cutoff low and still pad · dark provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Clean chord stab, triangles, no delay stab · clean provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Chord stab, four notes, everything short stab · hard provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Sub from all four triangles stacked on one key sub · dark provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' OSCILLATOR 3 SYNC 9 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON Impact: everything at once into a long ping-pong delay impact · hard provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON Four-note pad an octave down, saws, cutoff low and still pad · dark provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON Clean chord stab, triangles, no delay stab · clean provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON Chord stab, four notes, everything short stab · hard provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON Sub from all four triangles stacked on one key sub · dark provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON OSCILLATOR 3 WAVEFORM 9 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Impact: everything at once into a long ping-pong delay impact · hard provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Four-note pad an octave down, saws, cutoff low and still pad · dark provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Clean chord stab, triangles, no delay stab · clean provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Chord stab, four notes, everything short stab · hard provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Sub from all four triangles stacked on one key sub · dark provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE OSCILLATOR 4 FREQUENCY 7 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st Impact: everything at once into a long ping-pong delay impact · hard provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st Four-note pad an octave down, saws, cutoff low and still pad · dark provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st Clean chord stab, triangles, no delay stab · clean provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st Chord stab, four notes, everything short stab · hard provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st Sub from all four triangles stacked on one key sub · dark provisional manual — Moog Matriarch Manual (012023), p.14 -7…7 st OSCILLATOR 4 OCTAVE 7 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Impact: everything at once into a long ping-pong delay impact · hard provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Four-note pad an octave down, saws, cutoff low and still pad · dark provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Clean chord stab, triangles, no delay stab · clean provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Chord stab, four notes, everything short stab · hard provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' Sub from all four triangles stacked on one key sub · dark provisional manual — Moog Matriarch Manual (012023), p.13 16' · 8' · 4' · 2' OSCILLATOR 4 SYNC 7 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON Impact: everything at once into a long ping-pong delay impact · hard provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON Four-note pad an octave down, saws, cutoff low and still pad · dark provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON Clean chord stab, triangles, no delay stab · clean provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON Chord stab, four notes, everything short stab · hard provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON Sub from all four triangles stacked on one key sub · dark provisional manual — Moog Matriarch Manual (012023), p.15 OFF · ON OSCILLATOR 4 WAVEFORM 7 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Impact: everything at once into a long ping-pong delay impact · hard provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Four-note pad an octave down, saws, cutoff low and still pad · dark provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Clean chord stab, triangles, no delay stab · clean provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Chord stab, four notes, everything short stab · hard provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE Sub from all four triangles stacked on one key sub · dark provisional manual — Moog Matriarch Manual (012023), p.15 TRIANGLE · SAWTOOTH · SQUARE · NARROW PULSE SYNC ENABLE 1 recipe
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional manual — Moog Matriarch Manual (012023), p.14 OFF · ON
OUTPUT panel module
MAIN VOLUME 20 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Acid line: one saw, resonance near self-oscillation, cutoff tracking the keyboard acid · bright provisional unverified 0…100 % travel Arpeggio over two octaves, in the order the notes were held arp · bright provisional unverified 0…100 % travel Arpeggio, one octave, forward and back, triangles only arp · clean provisional unverified 0…100 % travel Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional unverified 0…100 % travel Impact: everything at once into a long ping-pong delay impact · hard provisional unverified 0…100 % travel Kick with the filter envelope cabled onto Oscillator 1’s pitch kick · hard provisional unverified 0…100 % travel Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional unverified 0…100 % travel Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional unverified 0…100 % travel Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional unverified 0…100 % travel Noise alone, through both filters in series noise · dirty provisional unverified 0…100 % travel Four-note pad an octave down, saws, cutoff low and still pad · dark provisional unverified 0…100 % travel Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional unverified 0…100 % travel Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional unverified 0…100 % travel Snare: noise over two short mid tones, both filters open snare · hard provisional unverified 0…100 % travel Clean chord stab, triangles, no delay stab · clean provisional unverified 0…100 % travel Chord stab, four notes, everything short stab · hard provisional unverified 0…100 % travel Sub from all four triangles stacked on one key sub · dark provisional unverified 0…100 % travel Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional unverified 0…100 % travel Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional unverified 0…100 % travel Tom: two triangles, envelope onto pitch, a little noise for the skin tom · hard provisional unverified 0…100 % travel VCA MODE 20 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Acid line: one saw, resonance near self-oscillation, cutoff tracking the keyboard acid · bright provisional manual — Moog Matriarch Manual (012023), p.29 AMP ENV · SPLIT · DRONE Arpeggio over two octaves, in the order the notes were held arp · bright provisional manual — Moog Matriarch Manual (012023), p.29 AMP ENV · SPLIT · DRONE Arpeggio, one octave, forward and back, triangles only arp · clean provisional manual — Moog Matriarch Manual (012023), p.29 AMP ENV · SPLIT · DRONE Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional manual — Moog Matriarch Manual (012023), p.29 AMP ENV · SPLIT · DRONE Impact: everything at once into a long ping-pong delay impact · hard provisional manual — Moog Matriarch Manual (012023), p.29 AMP ENV · SPLIT · DRONE Kick with the filter envelope cabled onto Oscillator 1’s pitch kick · hard provisional manual — Moog Matriarch Manual (012023), p.29 AMP ENV · SPLIT · DRONE Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional manual — Moog Matriarch Manual (012023), p.29 AMP ENV · SPLIT · DRONE Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional manual — Moog Matriarch Manual (012023), p.29 AMP ENV · SPLIT · DRONE Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional manual — Moog Matriarch Manual (012023), p.29 AMP ENV · SPLIT · DRONE Noise alone, through both filters in series noise · dirty provisional manual — Moog Matriarch Manual (012023), p.29 AMP ENV · SPLIT · DRONE Four-note pad an octave down, saws, cutoff low and still pad · dark provisional manual — Moog Matriarch Manual (012023), p.29 AMP ENV · SPLIT · DRONE Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional manual — Moog Matriarch Manual (012023), p.29 AMP ENV · SPLIT · DRONE Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional manual — Moog Matriarch Manual (012023), p.29 AMP ENV · SPLIT · DRONE Snare: noise over two short mid tones, both filters open snare · hard provisional manual — Moog Matriarch Manual (012023), p.29 AMP ENV · SPLIT · DRONE Clean chord stab, triangles, no delay stab · clean provisional manual — Moog Matriarch Manual (012023), p.29 AMP ENV · SPLIT · DRONE Chord stab, four notes, everything short stab · hard provisional manual — Moog Matriarch Manual (012023), p.29 AMP ENV · SPLIT · DRONE Sub from all four triangles stacked on one key sub · dark provisional manual — Moog Matriarch Manual (012023), p.29 AMP ENV · SPLIT · DRONE Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional manual — Moog Matriarch Manual (012023), p.29 AMP ENV · SPLIT · DRONE Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional manual — Moog Matriarch Manual (012023), p.29 AMP ENV · SPLIT · DRONE Tom: two triangles, envelope onto pitch, a little noise for the skin tom · hard provisional manual — Moog Matriarch Manual (012023), p.29 AMP ENV · SPLIT · DRONE
PARAPHONY panel module
VOICE MODE 20 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Acid line: one saw, resonance near self-oscillation, cutoff tracking the keyboard acid · bright provisional manual — Moog Matriarch Manual (012023), p.51 1 · 2 · 4 Arpeggio over two octaves, in the order the notes were held arp · bright provisional manual — Moog Matriarch Manual (012023), p.51 1 · 2 · 4 Arpeggio, one octave, forward and back, triangles only arp · clean provisional manual — Moog Matriarch Manual (012023), p.51 1 · 2 · 4 Four saws spread across seven semitones into an overdriven mixer bass-mid · dirty provisional manual — Moog Matriarch Manual (012023), p.51 1 · 2 · 4 Impact: everything at once into a long ping-pong delay impact · hard provisional manual — Moog Matriarch Manual (012023), p.51 1 · 2 · 4 Kick with the filter envelope cabled onto Oscillator 1’s pitch kick · hard provisional manual — Moog Matriarch Manual (012023), p.51 1 · 2 · 4 Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional manual — Moog Matriarch Manual (012023), p.51 1 · 2 · 4 Three oscillators hard-sync’d down the chain, FREQUENCY as timbre metallic · bright provisional manual — Moog Matriarch Manual (012023), p.51 1 · 2 · 4 Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional manual — Moog Matriarch Manual (012023), p.51 1 · 2 · 4 Noise alone, through both filters in series noise · dirty provisional manual — Moog Matriarch Manual (012023), p.51 1 · 2 · 4 Four-note pad an octave down, saws, cutoff low and still pad · dark provisional manual — Moog Matriarch Manual (012023), p.51 1 · 2 · 4 Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional manual — Moog Matriarch Manual (012023), p.51 1 · 2 · 4 Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional manual — Moog Matriarch Manual (012023), p.51 1 · 2 · 4 Snare: noise over two short mid tones, both filters open snare · hard provisional manual — Moog Matriarch Manual (012023), p.51 1 · 2 · 4 Clean chord stab, triangles, no delay stab · clean provisional manual — Moog Matriarch Manual (012023), p.51 1 · 2 · 4 Chord stab, four notes, everything short stab · hard provisional manual — Moog Matriarch Manual (012023), p.51 1 · 2 · 4 Sub from all four triangles stacked on one key sub · dark provisional manual — Moog Matriarch Manual (012023), p.51 1 · 2 · 4 Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional manual — Moog Matriarch Manual (012023), p.51 1 · 2 · 4 Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional manual — Moog Matriarch Manual (012023), p.51 1 · 2 · 4 Tom: two triangles, envelope onto pitch, a little noise for the skin tom · hard provisional manual — Moog Matriarch Manual (012023), p.51 1 · 2 · 4
STEREO DELAY panel module
DELAY FEEDBACK 10 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Arpeggio over two octaves, in the order the notes were held arp · bright provisional unverified 0…100 % travel Impact: everything at once into a long ping-pong delay impact · hard provisional unverified 0…100 % travel Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional unverified 0…100 % travel Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional unverified 0…100 % travel Four-note pad an octave down, saws, cutoff low and still pad · dark provisional unverified 0…100 % travel Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional unverified 0…100 % travel Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional unverified 0…100 % travel Chord stab, four notes, everything short stab · hard provisional unverified 0…100 % travel Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional unverified 0…100 % travel Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional unverified 0…100 % travel DELAY MIX 10 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Arpeggio over two octaves, in the order the notes were held arp · bright provisional unverified 0…100 % travel Impact: everything at once into a long ping-pong delay impact · hard provisional unverified 0…100 % travel Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional unverified 0…100 % travel Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional unverified 0…100 % travel Four-note pad an octave down, saws, cutoff low and still pad · dark provisional unverified 0…100 % travel Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional unverified 0…100 % travel Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional unverified 0…100 % travel Chord stab, four notes, everything short stab · hard provisional unverified 0…100 % travel Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional unverified 0…100 % travel Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional unverified 0…100 % travel DELAY SPACING 10 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Arpeggio over two octaves, in the order the notes were held arp · bright provisional unverified 0…100 % travel Impact: everything at once into a long ping-pong delay impact · hard provisional unverified 0…100 % travel Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional unverified 0…100 % travel Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional unverified 0…100 % travel Four-note pad an octave down, saws, cutoff low and still pad · dark provisional unverified 0…100 % travel Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional unverified 0…100 % travel Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional unverified 0…100 % travel Chord stab, four notes, everything short stab · hard provisional unverified 0…100 % travel Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional unverified 0…100 % travel Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional unverified 0…100 % travel DELAY TIME 10 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Arpeggio over two octaves, in the order the notes were held arp · bright provisional unverified 0…100 % travel Impact: everything at once into a long ping-pong delay impact · hard provisional unverified 0…100 % travel Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional unverified 0…100 % travel Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional unverified 0…100 % travel Four-note pad an octave down, saws, cutoff low and still pad · dark provisional unverified 0…100 % travel Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional unverified 0…100 % travel Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional unverified 0…100 % travel Chord stab, four notes, everything short stab · hard provisional unverified 0…100 % travel Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional unverified 0…100 % travel Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional unverified 0…100 % travel PING PONG 10 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Arpeggio over two octaves, in the order the notes were held arp · bright provisional manual — Moog Matriarch Manual (012023), p.33 OFF · ON Impact: everything at once into a long ping-pong delay impact · hard provisional manual — Moog Matriarch Manual (012023), p.33 OFF · ON Lead: narrow pulse over a saw, glide on, vibrato on the mod slider lead · bright provisional manual — Moog Matriarch Manual (012023), p.33 OFF · ON Linear FM: Oscillator 1 into Oscillator 2’s LIN FM input metallic · dirty provisional manual — Moog Matriarch Manual (012023), p.33 OFF · ON Four-note pad an octave down, saws, cutoff low and still pad · dark provisional manual — Moog Matriarch Manual (012023), p.33 OFF · ON Four-note pad: one oscillator per key, all four detunes at zero pad · soft provisional manual — Moog Matriarch Manual (012023), p.33 OFF · ON Riser: the modulation oscillator on every oscillator’s pitch, under your hand riser · bright provisional manual — Moog Matriarch Manual (012023), p.33 OFF · ON Chord stab, four notes, everything short stab · hard provisional manual — Moog Matriarch Manual (012023), p.33 OFF · ON Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional manual — Moog Matriarch Manual (012023), p.33 OFF · ON Sample and hold stepping filter 2 alone, into the stereo delay texture · soft provisional manual — Moog Matriarch Manual (012023), p.33 OFF · ON
UTILITIES panel module
LFO RATE 1 recipe
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Sweep: both filters in series, SPACING closing the gap between them sweep · dark provisional manual — Moog Matriarch Manual (012023), p.43 0.07…520 Hz
One row per recipe, because one name can be read off more than one page: this box authors 695 values across 20 recipes, and a list de-duplicated by name would keep one citation and drop the rest.
Before it holds pitch
What this box needs of you every session, and what it needs of a technician. Both come from its manual; neither changes with what you are making.
- Warm-up
- 10 to 15 minutes from cold before it holds pitch
- Source
- manual — Moog Matriarch Manual (012023), p.8
What it can play
20 recipes across 16 roles.
- kickhard1 recipe
- subdark1 recipe
- bass-middirty1 recipe
- snarehard1 recipe
- metallicbright · dirty2 recipes
- tomhard1 recipe
- noisedirty1 recipe
- texturesoft1 recipe
- padsoft · dark2 recipes
- leadbright1 recipe
- stabhard · clean2 recipes
- arpbright · clean2 recipes
- acidbright1 recipe
- riserbright1 recipe
- impacthard1 recipe
- sweepdark1 recipe
On its own
Resolved against each direction with nothing else in the rig.
- Acid Lineage1 of 4 essential partsacid
- Ambient Dub1 of 7 essential partssub
- Breakbeat1 of 7 essential partssnare
- Drone Study1 of 1 essential partstexture
- Drum and Bass1 of 4 essential partssub
- Generative Drift1 of 4 essential partssub
- Hard Techno1 of 7 essential partskick
- Hip-Hop1 of 4 essential partskick
- Industrial Techno1 of 9 essential partskick
- Lydian House1 of 5 essential partspad
- Major-Key Electro1 of 8 essential partskick
- Relay2 of 2 essential partsbass-mid · lead
- Slow Noir1 of 5 essential partspad
- Weave1 of 5 essential partskick
A rig is more than one box. These are what Moog Matriarch covers alone, which is the floor rather than what it will do beside something else.