Behringer MODEL D
semi modular
Panel
Our drawing, from cited dimensions.
The box
- Kind
- semi modular
- Clock
- no clock in or out
- Audio
- mono main out · audio in
- Voices
- 1 assignable
- Cited to
- MODEL D User Manual, MODEL_D_M_EN
- Maker’s page
- behringer.com
| Voice | Count | Notes | Roles it declares |
|---|---|---|---|
| Voice | 1 | 1 | kick, sub, bass-mid, noise, metallic, texture, pad, lead, stab, acid, riser, impact, sweep |
Provenance
The same counts the audit prints.
602 of 602 values provisional. 268 of 273 ranges cited to the MODEL D User Manual, 5 unverified.
A point is the setting to dial, and it counts as cited only where a document prints that value. A range is the control’s own limits, and mood may move a value only inside a cited range, so 0 parameters here declare an axis that cannot move.
| Points | Total | Manual | Observed | Provisional |
|---|---|---|---|---|
| Values | 602 | 0 | 0 | 602 |
| Ranges | Total | Manual | Observed | Unverified |
|---|---|---|---|---|
| Bounds | 273 | 268 | 0 | 5 |
32 of 41 capability facts cited to a document, 1 partly cited, 4 cited against. 4 facts were looked for and the manual does not state them.
- Read, answers no
content
p.34’s Synthesizer Architecture list is exhaustive and entirely analog — monophonic, 3 oscillators, 1 LFO, 1 VCF, 2 envelopes — with no sample memory, preset store or program count anywhere in the specifications, and p.13 §4.12 gives the box’s own recall mechanism as "Make copies of the patch sheet in this manual", of which pp.40-41 are two blank copies
manual — MODEL D User Manual, p.34
features.perStep
p.34’s Synthesizer Architecture list runs Number of voices, Type, Oscillators, LFO, VCF and Envelopes and stops; there is no sequencer chapter in the contents, and p.12 §4.3 has every note arriving from an external MIDI keyboard
manual — MODEL D User Manual, p.34
features.sidechain.internal
p.34’s architecture list has no compressor, ducker or envelope follower, and the LOUD CV input (p.11 item 48) takes a voltage from outside rather than deriving one from audio
manual — MODEL D User Manual, p.34
io.usbAudio
the specifications head the row "USB (MIDI)", the USB block gives only "Class compliant USB 2.0, type B" with no audio row, and p.8 item (1) calls it "a class-compliant USB MIDI device"
manual — MODEL D User Manual, p.34
- Read, answers part
features.lfo
The page establishes the count and the rate range — p.34 prints "LFO 1 (0.05 Hz to 200 Hz, up to 300 Hz with external CV input)" — and the two cable-free destinations, which p.8 item (7) gives as the oscillators and p.10 item (32) as the filter
It leaves open whether the LFO can be synced. No page of this manual mentions clock in connection with this box, and there is no sync control on the panel, so `syncable: false` is read off an absence rather than off a statement
manual — MODEL D User Manual, p.34
- Read, does not say
clock.canReceiveClock
no page addresses whether this box responds to MIDI clock. §7 (pp.30-33) is SysEx only with no MIDI implementation chart anywhere in the document, and the only occurrence of "MIDI Clock" in 44 pages is the glossary definition on p.37. p.34’s Synthesizer Architecture list carries nothing tempo-driven — the LFO is "1 (0.05 Hz to 200 Hz, up to 300 Hz with external CV input)", free-running with no sync control, and there is no sequencer, arpeggiator or delay — but an omission from a list of contents is not a page answering no, so this is a reading that ran out rather than a documented negative
clock.canSendClock
the DIN side is answered — p.34 heads the row "MIDI In/Thru", there is no MIDI OUT socket, and p.8 item (3) says MIDI THRU passes through what arrives at MIDI IN, which originates nothing — but p.8 item (1) gives USB MIDI OUT as "sends MIDI data to an application" without saying what, and §7 (pp.30-33) is SysEx only, so this manual has no MIDI implementation chart to settle it
clock.preferredSource
no page says what this box is for in a rig, and the capability question it would rest on is not settled either: p.34’s architecture list names no sequencer, arpeggiator or clock generator, but that omission is what leaves both `canSendClock` and `canReceiveClock` unknown above rather than answering them, and an inference from two non-answers is a third
features.sidechain.fromExternalAudio
the box takes external audio at EXT and mixes it into the filter (p.12 §4.4.1), and LOUD CV could duck the voice from a voltage (p.11 item 48) — but nothing on this box turns audio into that voltage, and no page states either way
Panel span: manual — MODEL D User Manual, p.34
Build a kit
Every one of these is this box on its own. Nothing is loaded.
4 drum sounds this box makes from scratch, in the order to build them. Work down the list: open one, patch it, set the values, then record a single hit before moving to the next.
1Kick with the filter contour patched onto the pitch
Routing — FILT CONT into OSC 1V/OCT is the whole trick: the filter envelope becomes a pitch envelope, and the filter decay time is the only thing shaping it
- FILT CONTOSC 1V/OCT
supplies the pitch drop. FILT CONT puts out 0 to +4 V (p.34) and OSC 1V/OCT is a volt per octave, so the full contour is four octaves — nothing on this box attenuates a patch cable, and FILTER DECAY TIME is what keeps the sweep short
CONTROLLERS
- TUNE0st(-2…2 st)
Moves OSC 1, 2 and 3 together (p.8). p.12 calls the marks semitones "as a general guide"
- GLIDE0(0…10)
Portamento between notes; off fully anticlockwise (p.8)
OSCILLATOR BANK
- OSC 1 RANGE32'
Six overlapping ranges across 0.1 Hz to 20 kHz (p.34); LO puts it below audio
- OSC 1 WAVEFORMtriangular
- OSC 2 RANGE32'
- OSC 2 FREQUENCY0st(-7…7 st)
Offset from OSC 1 within the selected range; p.12 calls the marks semitones "as a general guide"
- OSC 2 WAVEFORMtriangular
- OSC 3 RANGE32'
- OSC 3 CONTROLon
On, so OSC 3 follows the keyboard and TUNE moves it with the other two (p.8, p.9)
OSCILLATOR BANK
- OSC 3 FREQUENCY0st(-7…7 st)
Offset from OSC 1, and the only pitch control OSC 3 answers to besides TUNE. p.12 calls the marks semitones "as a general guide"
- OSC 3 WAVEFORMtriangular
MIXER
- OSC 1on
- OSC 1 VOLUME10(0…10)
- OSC 2off
- OSC 3off
- NOISEoff
- EXT INon
Leave EXT empty — the output feeds back
- EXT IN VOLUME3(0…10)
Nothing patched at EXT, so this is the output fed back into the mixer — "extra phat bass or extra crunch" (p.12)
OUTPUT
- MAIN VOLUME7(0…10)
The feedback level depends on this knob as well as on EXT IN VOLUME (p.12)
- OSCILLATOR MODULATIONoff
MODIFIERS
- FILTER MODULATIONoff
- FILTER MODElow pass
24 dB per octave either way (p.34)
- CUTOFF FREQUENCY-1(-4…4)
The one knob on this panel marked -4 to +4. p.15’s calibration table prints a 5 here, which is not on the scale
- FILTER EMPHASIS3(0…10)
Resonance — a level boost at the cutoff frequency (p.10)
- AMOUNT OF CONTOUR4(0…10)
How far the filter contour shifts the cutoff (p.10)
- KEYBOARD CONTROL 1off
A third of maximum tracking on its own, and with switch 2 the maximum (p.10)
- KEYBOARD CONTROL 2off
Two thirds of maximum tracking on its own, and with switch 1 the maximum (p.10)
- FILTER ATTACK1ms(1…10000 ms)
p.34 gives the travel as 1 ms to 10 s; the knob is silkscreened 10/200/600 M-SEC then 1/5/10 SEC
- FILTER DECAY TIME55ms(4…35000 ms)
p.34 gives the travel as "4 ms to >35 s" — an open top end, so this range is its stated floor; the knob is silkscreened only as far as 10 SEC
- FILTER SUSTAIN0(0…10)
The cutoff the contour holds after attack and decay (p.10)
- FILTER DECAYoff
The switch, not the knob: on, the cutoff takes the decay time to fall after a note is released (p.10)
LOUDNESS CONTOUR
- LOUDNESS ATTACK1ms(1…10000 ms)
p.34 gives the travel as 1 ms to 10 s; the knob is silkscreened 10/200/600 M-SEC then 1/5/10 SEC
- LOUDNESS DECAY TIME220ms(4…35000 ms)
p.34 gives the travel as "4 ms to >35 s" — an open top end, so this range is its stated floor; the knob is silkscreened only as far as 10 SEC
- LOUDNESS SUSTAIN0(0…10)
The level the contour holds after attack and decay (p.10)
MODIFIERS
- LOUD DECAYoff
The switch, not the knob: off, the note stops the moment it is released (p.10)
- FILT CONTOSC 1V/OCT
2OSC 3 at audio rate modulating the other two
Routing — No cables. OSC 3 in the 2-foot range with CONTROL off runs at a fixed frequency against two that track, so the sidebands move with the note and the timbre goes inharmonic
CONTROLLERS
- TUNE0st(-2…2 st)
Moves OSC 1, 2 and 3 together (p.8). p.12 calls the marks semitones "as a general guide"
- GLIDE0(0…10)
Portamento between notes; off fully anticlockwise (p.8)
OSCILLATOR BANK
- OSC 1 RANGE8'
Six overlapping ranges across 0.1 Hz to 20 kHz (p.34); LO puts it below audio
- OSC 1 WAVEFORMtriangular
- OSC 2 RANGE8'
- OSC 2 FREQUENCY0.2st(-7…7 st)
Offset from OSC 1 within the selected range; p.12 calls the marks semitones "as a general guide"
- OSC 2 WAVEFORMtriangular
- OSC 3 RANGE2'
- OSC 3 CONTROLoff
Off, so the keyboard, pitch wheel, mod wheel and TUNE all leave OSC 3 where it is (p.8, p.9)
OSCILLATOR BANK
- OSC 3 FREQUENCY3st(-7…7 st)
A free-running position: with CONTROL off nothing else moves this oscillator. p.12 calls the marks semitones "as a general guide"
- OSC 3 WAVEFORMsquare
MIXER
- OSC 1on
- OSC 1 VOLUME9(0…10)
- OSC 2on
- OSC 2 VOLUME7(0…10)
- OSC 3off
- NOISEoff
- EXT INoff
No feedback path into the mixer (p.12)
CONTROLLERS
- OSC 3 / FILTER EGOSC 3
What sits at the anticlockwise end of MOD MIX (p.13)
- NOISE (MOD SRC) / LFOLFO
What sits at the clockwise end of MOD MIX (p.13)
- MOD MIX0% travel(0…100 % travel)
p.34 gives this knob only as a blend between the two switch positions, with words where 0 and 10 sit on its neighbours — so percent of travel. 0% is fully toward the left switch
- MOD DEPTH6(0…10)
How much of the mix is applied; a MIDI mod wheel moves it too (p.8)
- LFO WAVEFORMtriangular
Silkscreened as two glyphs rather than as words
- LFO RATE0(0…10)
0.05 Hz to 200 Hz across the travel, and up to 300 Hz with a voltage at LFO CV (p.34)
- OSCILLATOR MODULATIONon
On, the modulation mix moves all three oscillators (p.8)
MODIFIERS
- FILTER MODULATIONoff
On, the modulation mix moves the cutoff (p.10)
- FILTER MODElow pass
24 dB per octave either way (p.34)
- CUTOFF FREQUENCY2(-4…4)
The one knob on this panel marked -4 to +4. p.15’s calibration table prints a 5 here, which is not on the scale
- FILTER EMPHASIS4(0…10)
Resonance — a level boost at the cutoff frequency (p.10)
- AMOUNT OF CONTOUR4(0…10)
How far the filter contour shifts the cutoff (p.10)
- KEYBOARD CONTROL 1on
A third of maximum tracking on its own, and with switch 2 the maximum (p.10)
- KEYBOARD CONTROL 2on
Two thirds of maximum tracking on its own, and with switch 1 the maximum (p.10)
- FILTER ATTACK1ms(1…10000 ms)
p.34 gives the travel as 1 ms to 10 s; the knob is silkscreened 10/200/600 M-SEC then 1/5/10 SEC
- FILTER DECAY TIME300ms(4…35000 ms)
p.34 gives the travel as "4 ms to >35 s" — an open top end, so this range is its stated floor; the knob is silkscreened only as far as 10 SEC
- FILTER SUSTAIN2(0…10)
The cutoff the contour holds after attack and decay (p.10)
- FILTER DECAYon
The switch, not the knob: on, the cutoff takes the decay time to fall after a note is released (p.10)
LOUDNESS CONTOUR
- LOUDNESS ATTACK1ms(1…10000 ms)
p.34 gives the travel as 1 ms to 10 s; the knob is silkscreened 10/200/600 M-SEC then 1/5/10 SEC
- LOUDNESS DECAY TIME400ms(4…35000 ms)
p.34 gives the travel as "4 ms to >35 s" — an open top end, so this range is its stated floor; the knob is silkscreened only as far as 10 SEC
- LOUDNESS SUSTAIN3(0…10)
The level the contour holds after attack and decay (p.10)
MODIFIERS
- LOUD DECAYon
The switch, not the knob: off, the note stops the moment it is released (p.10)
- TUNE0st(-2…2 st)
3White noise alone, high-pass and resonant
Routing — No cables. Every oscillator switched out, so the noise generator is the only thing in the mixer
CONTROLLERS
- TUNE0st(-2…2 st)
Moves OSC 1, 2 and 3 together (p.8). p.12 calls the marks semitones "as a general guide"
- GLIDE0(0…10)
Portamento between notes; off fully anticlockwise (p.8)
OSCILLATOR BANK
- OSC 1 RANGE8'
Six overlapping ranges across 0.1 Hz to 20 kHz (p.34); LO puts it below audio
- OSC 1 WAVEFORMsaw
- OSC 2 RANGE8'
- OSC 2 FREQUENCY0st(-7…7 st)
Offset from OSC 1 within the selected range; p.12 calls the marks semitones "as a general guide"
- OSC 2 WAVEFORMsaw
- OSC 3 RANGE8'
- OSC 3 CONTROLon
On, so OSC 3 follows the keyboard and TUNE moves it with the other two (p.8, p.9)
OSCILLATOR BANK
- OSC 3 FREQUENCY0st(-7…7 st)
Offset from OSC 1, and the only pitch control OSC 3 answers to besides TUNE. p.12 calls the marks semitones "as a general guide"
- OSC 3 WAVEFORMsaw
MIXER
- OSC 1off
- OSC 2off
- OSC 3off
- NOISEon
- NOISE VOLUME9(0…10)
- WHITE / PINKwhite
Pink tilts the noise toward the low end; white is flat
- EXT INon
Leave EXT empty — the output feeds back
- EXT IN VOLUME4(0…10)
Nothing patched at EXT, so this is the output fed back into the mixer — "extra phat bass or extra crunch" (p.12)
OUTPUT
- MAIN VOLUME7(0…10)
The feedback level depends on this knob as well as on EXT IN VOLUME (p.12)
- OSCILLATOR MODULATIONoff
MODIFIERS
- FILTER MODULATIONoff
- FILTER MODEhigh pass
24 dB per octave either way (p.34)
- CUTOFF FREQUENCY1(-4…4)
The one knob on this panel marked -4 to +4. p.15’s calibration table prints a 5 here, which is not on the scale
- FILTER EMPHASIS6(0…10)
Resonance — a level boost at the cutoff frequency (p.10)
- AMOUNT OF CONTOUR3(0…10)
How far the filter contour shifts the cutoff (p.10)
- KEYBOARD CONTROL 1off
A third of maximum tracking on its own, and with switch 2 the maximum (p.10)
- KEYBOARD CONTROL 2off
Two thirds of maximum tracking on its own, and with switch 1 the maximum (p.10)
- FILTER ATTACK1ms(1…10000 ms)
p.34 gives the travel as 1 ms to 10 s; the knob is silkscreened 10/200/600 M-SEC then 1/5/10 SEC
- FILTER DECAY TIME140ms(4…35000 ms)
p.34 gives the travel as "4 ms to >35 s" — an open top end, so this range is its stated floor; the knob is silkscreened only as far as 10 SEC
- FILTER SUSTAIN0(0…10)
The cutoff the contour holds after attack and decay (p.10)
- FILTER DECAYoff
The switch, not the knob: on, the cutoff takes the decay time to fall after a note is released (p.10)
LOUDNESS CONTOUR
- LOUDNESS ATTACK1ms(1…10000 ms)
p.34 gives the travel as 1 ms to 10 s; the knob is silkscreened 10/200/600 M-SEC then 1/5/10 SEC
- LOUDNESS DECAY TIME180ms(4…35000 ms)
p.34 gives the travel as "4 ms to >35 s" — an open top end, so this range is its stated floor; the knob is silkscreened only as far as 10 SEC
- LOUDNESS SUSTAIN0(0…10)
The level the contour holds after attack and decay (p.10)
MODIFIERS
- LOUD DECAYoff
The switch, not the knob: off, the note stops the moment it is released (p.10)
- TUNE0st(-2…2 st)
4Noise and low oscillators hit at once, contour onto the cutoff
Routing — LOUD CONT into CUT CV adds the loudness contour to the cutoff on top of AMOUNT OF CONTOUR, so the two envelopes shape the filter together
- LOUD CONTCUT CV
supplies a second envelope to the cutoff. LOUD CONT puts out 0 to +4.6 V and CUT CV takes 0 to +5 V (p.34), so the whole contour lands inside what the input accepts
CONTROLLERS
- TUNE0st(-2…2 st)
Moves OSC 1, 2 and 3 together (p.8). p.12 calls the marks semitones "as a general guide"
- GLIDE0(0…10)
Portamento between notes; off fully anticlockwise (p.8)
OSCILLATOR BANK
- OSC 1 RANGE32'
Six overlapping ranges across 0.1 Hz to 20 kHz (p.34); LO puts it below audio
- OSC 1 WAVEFORMsaw
- OSC 2 RANGE32'
- OSC 2 FREQUENCY0.7st(-7…7 st)
Offset from OSC 1 within the selected range; p.12 calls the marks semitones "as a general guide"
- OSC 2 WAVEFORMsaw
- OSC 3 RANGE16'
- OSC 3 CONTROLon
On, so OSC 3 follows the keyboard and TUNE moves it with the other two (p.8, p.9)
OSCILLATOR BANK
- OSC 3 FREQUENCY-0.6st(-7…7 st)
Offset from OSC 1, and the only pitch control OSC 3 answers to besides TUNE. p.12 calls the marks semitones "as a general guide"
- OSC 3 WAVEFORMsaw
MIXER
- OSC 1on
- OSC 1 VOLUME9(0…10)
- OSC 2on
- OSC 2 VOLUME8(0…10)
- OSC 3on
- OSC 3 VOLUME6(0…10)
- NOISEon
- NOISE VOLUME7(0…10)
- WHITE / PINKwhite
Pink tilts the noise toward the low end; white is flat
- EXT INon
Leave EXT empty — the output feeds back
- EXT IN VOLUME6(0…10)
Nothing patched at EXT, so this is the output fed back into the mixer — "extra phat bass or extra crunch" (p.12)
OUTPUT
- MAIN VOLUME8(0…10)
The feedback level depends on this knob as well as on EXT IN VOLUME (p.12)
- OSCILLATOR MODULATIONoff
MODIFIERS
- FILTER MODULATIONoff
- FILTER MODElow pass
24 dB per octave either way (p.34)
- CUTOFF FREQUENCY1(-4…4)
The one knob on this panel marked -4 to +4. p.15’s calibration table prints a 5 here, which is not on the scale
- FILTER EMPHASIS4(0…10)
Resonance — a level boost at the cutoff frequency (p.10)
- AMOUNT OF CONTOUR6(0…10)
How far the filter contour shifts the cutoff (p.10)
- KEYBOARD CONTROL 1off
A third of maximum tracking on its own, and with switch 2 the maximum (p.10)
- KEYBOARD CONTROL 2off
Two thirds of maximum tracking on its own, and with switch 1 the maximum (p.10)
- FILTER ATTACK1ms(1…10000 ms)
p.34 gives the travel as 1 ms to 10 s; the knob is silkscreened 10/200/600 M-SEC then 1/5/10 SEC
- FILTER DECAY TIME700ms(4…35000 ms)
p.34 gives the travel as "4 ms to >35 s" — an open top end, so this range is its stated floor; the knob is silkscreened only as far as 10 SEC
- FILTER SUSTAIN0(0…10)
The cutoff the contour holds after attack and decay (p.10)
- FILTER DECAYoff
The switch, not the knob: on, the cutoff takes the decay time to fall after a note is released (p.10)
LOUDNESS CONTOUR
- LOUDNESS ATTACK1ms(1…10000 ms)
p.34 gives the travel as 1 ms to 10 s; the knob is silkscreened 10/200/600 M-SEC then 1/5/10 SEC
- LOUDNESS DECAY TIME900ms(4…35000 ms)
p.34 gives the travel as "4 ms to >35 s" — an open top end, so this range is its stated floor; the knob is silkscreened only as far as 10 SEC
- LOUDNESS SUSTAIN0(0…10)
The level the contour holds after attack and decay (p.10)
MODIFIERS
- LOUD DECAYoff
The switch, not the knob: off, the note stops the moment it is released (p.10)
- LOUD CONTCUT CV
The page behind any of these values is in Parameter sources below, under the name it is printed with here.
Parameter sources
Every authored parameter, and the page behind each of its claims. Open a name.
CONTROLLERS panel module
GLIDE 16 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 0…10 Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 0…10 All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 0…10 Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 0…10 Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 0…10 Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 0…10 Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 0…10 OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 0…10 White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 0…10 Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 0…10 Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 0…10 Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 0…10 Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 0…10 One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 0…10 Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 0…10 OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 0…10 LFO RATE 5 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 0…10 Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 0…10 Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 0…10 Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 0…10 OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 0…10 LFO WAVEFORM 5 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 triangular · square Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 triangular · square Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 triangular · square Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 triangular · square OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 triangular · square MOD DEPTH 5 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 0…10 Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 0…10 Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 0…10 Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 0…10 OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 0…10 MOD MIX 5 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options OSC 3 at audio rate modulating the other two metallic · bright provisional unverified 0…100 % travel Three triangles drifting, slow attack on both contours pad · soft provisional unverified 0…100 % travel Rising sweep with the LFO shivering the pitch riser · bright provisional unverified 0…100 % travel Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional unverified 0…100 % travel OSC 3 in LO wobbling a pair of triangles texture · soft provisional unverified 0…100 % travel NOISE (MOD SRC) / LFO 5 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 noise or external mod source · LFO Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 noise or external mod source · LFO Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 noise or external mod source · LFO Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 noise or external mod source · LFO OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 noise or external mod source · LFO OSC 3 / FILTER EG 5 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 OSC 3 · filter EG Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 OSC 3 · filter EG Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 OSC 3 · filter EG Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 OSC 3 · filter EG OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 OSC 3 · filter EG TUNE 16 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 -2…2 st Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 -2…2 st All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 -2…2 st Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 -2…2 st Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 -2…2 st Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 -2…2 st Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 -2…2 st OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 -2…2 st White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 -2…2 st Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 -2…2 st Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 -2…2 st Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 -2…2 st Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 -2…2 st One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 -2…2 st Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 -2…2 st OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 -2…2 st
LOUDNESS CONTOUR panel module
LOUDNESS ATTACK 16 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 1…10000 ms Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 1…10000 ms All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 1…10000 ms Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 1…10000 ms Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 1…10000 ms Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 1…10000 ms Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 1…10000 ms OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 1…10000 ms White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 1…10000 ms Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 1…10000 ms Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 1…10000 ms Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 1…10000 ms Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 1…10000 ms One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 1…10000 ms Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 1…10000 ms OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 1…10000 ms LOUDNESS DECAY TIME 16 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 4…35000 ms Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 4…35000 ms All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 4…35000 ms Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 4…35000 ms Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 4…35000 ms Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 4…35000 ms Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 4…35000 ms OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 4…35000 ms White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 4…35000 ms Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 4…35000 ms Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 4…35000 ms Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 4…35000 ms Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 4…35000 ms One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 4…35000 ms Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 4…35000 ms OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 4…35000 ms LOUDNESS SUSTAIN 16 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 0…10 Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 0…10 All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 0…10 Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 0…10 Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 0…10 Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 0…10 Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 0…10 OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 0…10 White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 0…10 Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 0…10 Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 0…10 Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 0…10 Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 0…10 One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 0…10 Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 0…10 OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 0…10
MIXER panel module
EXT IN 16 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 on · off Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 on · off All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 on · off Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 on · off Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 on · off Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 on · off Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 on · off OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 on · off White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 on · off Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 on · off Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 on · off Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 on · off Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 on · off One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 on · off Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 on · off OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 on · off EXT IN VOLUME 5 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 0…10 Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 0…10 Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 0…10 Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 0…10 White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 0…10 NOISE 16 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 on · off Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 on · off All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 on · off Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 on · off Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 on · off Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 on · off Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 on · off OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 on · off White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 on · off Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 on · off Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 on · off Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 on · off Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 on · off One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 on · off Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 on · off OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 on · off NOISE VOLUME 5 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 0…10 White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 0…10 Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 0…10 Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 0…10 OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 0…10 OSC 1 16 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 on · off Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 on · off All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 on · off Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 on · off Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 on · off Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 on · off Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 on · off OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 on · off White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 on · off Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 on · off Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 on · off Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 on · off Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 on · off One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 on · off Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 on · off OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 on · off OSC 1 VOLUME 15 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 0…10 Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 0…10 All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 0…10 Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 0…10 Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 0…10 Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 0…10 Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 0…10 OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 0…10 Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 0…10 Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 0…10 Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 0…10 Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 0…10 One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 0…10 Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 0…10 OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 0…10 OSC 2 16 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 on · off Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 on · off All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 on · off Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 on · off Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 on · off Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 on · off Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 on · off OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 on · off White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 on · off Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 on · off Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 on · off Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 on · off Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 on · off One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 on · off Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 on · off OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 on · off OSC 2 VOLUME 12 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 0…10 All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 0…10 Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 0…10 Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 0…10 Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 0…10 OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 0…10 Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 0…10 Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 0…10 Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 0…10 Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 0…10 Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 0…10 OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 0…10 OSC 3 16 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 on · off Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 on · off All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 on · off Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 on · off Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 on · off Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 on · off Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 on · off OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 on · off White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 on · off Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 on · off Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 on · off Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 on · off Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 on · off One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 on · off Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 on · off OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 on · off OSC 3 VOLUME 8 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 0…10 Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 0…10 Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 0…10 Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 0…10 Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 0…10 Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 0…10 Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 0…10 Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 0…10 WHITE / PINK 5 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 pink · white White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 pink · white Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 pink · white Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 pink · white OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 pink · white
MODIFIERS panel module
AMOUNT OF CONTOUR 16 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 0…10 Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 0…10 All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 0…10 Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 0…10 Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 0…10 Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 0…10 Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 0…10 OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 0…10 White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 0…10 Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 0…10 Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 0…10 Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 0…10 Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 0…10 One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 0…10 Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 0…10 OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 0…10 CUTOFF FREQUENCY 16 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 -4…4 Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 -4…4 All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 -4…4 Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 -4…4 Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 -4…4 Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 -4…4 Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 -4…4 OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 -4…4 White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 -4…4 Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 -4…4 Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 -4…4 Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 -4…4 Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 -4…4 One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 -4…4 Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 -4…4 OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 -4…4 FILTER ATTACK 16 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 1…10000 ms Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 1…10000 ms All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 1…10000 ms Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 1…10000 ms Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 1…10000 ms Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 1…10000 ms Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 1…10000 ms OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 1…10000 ms White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 1…10000 ms Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 1…10000 ms Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 1…10000 ms Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 1…10000 ms Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 1…10000 ms One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 1…10000 ms Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 1…10000 ms OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 1…10000 ms FILTER DECAY 16 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 on · off Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 on · off All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 on · off Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 on · off Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 on · off Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 on · off Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 on · off OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 on · off White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 on · off Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 on · off Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 on · off Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 on · off Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 on · off One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 on · off Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 on · off OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 on · off FILTER DECAY TIME 16 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 4…35000 ms Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 4…35000 ms All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 4…35000 ms Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 4…35000 ms Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 4…35000 ms Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 4…35000 ms Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 4…35000 ms OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 4…35000 ms White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 4…35000 ms Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 4…35000 ms Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 4…35000 ms Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 4…35000 ms Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 4…35000 ms One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 4…35000 ms Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 4…35000 ms OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 4…35000 ms FILTER EMPHASIS 16 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 0…10 Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 0…10 All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 0…10 Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 0…10 Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 0…10 Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 0…10 Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 0…10 OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 0…10 White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 0…10 Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 0…10 Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 0…10 Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 0…10 Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 0…10 One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 0…10 Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 0…10 OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 0…10 FILTER MODE 16 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 low pass · high pass Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 low pass · high pass All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 low pass · high pass Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 low pass · high pass Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 low pass · high pass Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 low pass · high pass Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 low pass · high pass OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 low pass · high pass White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 low pass · high pass Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 low pass · high pass Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 low pass · high pass Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 low pass · high pass Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 low pass · high pass One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 low pass · high pass Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 low pass · high pass OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 low pass · high pass FILTER MODULATION 16 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 on · off Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 on · off All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 on · off Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 on · off Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 on · off Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 on · off Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 on · off OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 on · off White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 on · off Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 on · off Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 on · off Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 on · off Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 on · off One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 on · off Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 on · off OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 on · off FILTER SUSTAIN 16 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 0…10 Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 0…10 All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 0…10 Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 0…10 Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 0…10 Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 0…10 Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 0…10 OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 0…10 White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 0…10 Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 0…10 Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 0…10 Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 0…10 Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 0…10 One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 0…10 Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 0…10 OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 0…10 KEYBOARD CONTROL 1 16 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 on · off Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 on · off All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 on · off Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 on · off Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 on · off Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 on · off Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 on · off OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 on · off White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 on · off Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 on · off Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 on · off Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 on · off Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 on · off One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 on · off Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 on · off OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 on · off KEYBOARD CONTROL 2 16 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 on · off Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 on · off All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 on · off Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 on · off Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 on · off Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 on · off Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 on · off OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 on · off White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 on · off Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 on · off Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 on · off Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 on · off Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 on · off One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 on · off Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 on · off OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 on · off LOUD DECAY 16 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 on · off Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 on · off All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 on · off Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 on · off Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 on · off Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 on · off Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 on · off OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 on · off White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 on · off Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 on · off Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 on · off Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 on · off Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 on · off One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 on · off Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 on · off OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 on · off
OSCILLATOR BANK panel module
OSC 1 RANGE 16 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' OSC 1 WAVEFORM 16 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse OSC 2 FREQUENCY 16 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 -7…7 st Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 -7…7 st All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 -7…7 st Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 -7…7 st Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 -7…7 st Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 -7…7 st Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 -7…7 st OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 -7…7 st White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 -7…7 st Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 -7…7 st Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 -7…7 st Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 -7…7 st Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 -7…7 st One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 -7…7 st Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 -7…7 st OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 -7…7 st OSC 2 RANGE 16 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' OSC 2 WAVEFORM 16 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 triangular · triangular/saw · saw · square · wide pulse · narrow pulse OSC 3 FREQUENCY 16 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 -7…7 st Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 -7…7 st All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 -7…7 st Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 -7…7 st Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 -7…7 st Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 -7…7 st Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 -7…7 st OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 -7…7 st White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 -7…7 st Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 -7…7 st Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 -7…7 st Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 -7…7 st Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 -7…7 st One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 -7…7 st Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 -7…7 st OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 -7…7 st OSC 3 RANGE 16 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 LO · 32' · 16' · 8' · 4' · 2' OSC 3 WAVEFORM 16 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 triangular · reverse saw · saw · square · wide pulse · narrow pulse Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 triangular · reverse saw · saw · square · wide pulse · narrow pulse All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 triangular · reverse saw · saw · square · wide pulse · narrow pulse Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 triangular · reverse saw · saw · square · wide pulse · narrow pulse Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 triangular · reverse saw · saw · square · wide pulse · narrow pulse Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 triangular · reverse saw · saw · square · wide pulse · narrow pulse Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 triangular · reverse saw · saw · square · wide pulse · narrow pulse OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 triangular · reverse saw · saw · square · wide pulse · narrow pulse White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 triangular · reverse saw · saw · square · wide pulse · narrow pulse Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 triangular · reverse saw · saw · square · wide pulse · narrow pulse Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 triangular · reverse saw · saw · square · wide pulse · narrow pulse Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 triangular · reverse saw · saw · square · wide pulse · narrow pulse Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 triangular · reverse saw · saw · square · wide pulse · narrow pulse One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 triangular · reverse saw · saw · square · wide pulse · narrow pulse Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 triangular · reverse saw · saw · square · wide pulse · narrow pulse OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 triangular · reverse saw · saw · square · wide pulse · narrow pulse
OUTPUT panel module
MAIN VOLUME 5 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 0…10 Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 0…10 Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 0…10 Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 0…10 White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 0…10
kick role
OSC 3 CONTROL 1 recipe
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 on · off OSCILLATOR MODULATION 1 recipe
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Kick with the filter contour patched onto the pitch kick · hard provisional manual — MODEL D User Manual, p.34 on · off
sub role
OSC 3 CONTROL 2 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 on · off One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 on · off OSCILLATOR MODULATION 2 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Sub with a fifth over it, both oscillators triangular sub · clean provisional manual — MODEL D User Manual, p.34 on · off One triangle at 32 feet, nothing above the fundamental sub · dark provisional manual — MODEL D User Manual, p.34 on · off
bass-mid role
OSC 3 CONTROL 2 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 on · off All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 on · off OSCILLATOR MODULATION 2 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Two saws a beat apart, driven through the feedback path bass-mid · dirty provisional manual — MODEL D User Manual, p.34 on · off All three oscillators stacked across two octaves bass-mid · hard provisional manual — MODEL D User Manual, p.34 on · off
metallic role
OSC 3 CONTROL 1 recipe
Recipe Role · character Value cited to Bounds or options cited to Bounds or options OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 on · off OSCILLATOR MODULATION 1 recipe
Recipe Role · character Value cited to Bounds or options cited to Bounds or options OSC 3 at audio rate modulating the other two metallic · bright provisional manual — MODEL D User Manual, p.34 on · off
noise role
OSC 3 CONTROL 1 recipe
Recipe Role · character Value cited to Bounds or options cited to Bounds or options White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 on · off OSCILLATOR MODULATION 1 recipe
Recipe Role · character Value cited to Bounds or options cited to Bounds or options White noise alone, high-pass and resonant noise · dirty provisional manual — MODEL D User Manual, p.34 on · off
texture role
OSC 3 CONTROL 1 recipe
Recipe Role · character Value cited to Bounds or options cited to Bounds or options OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 on · off OSCILLATOR MODULATION 1 recipe
Recipe Role · character Value cited to Bounds or options cited to Bounds or options OSC 3 in LO wobbling a pair of triangles texture · soft provisional manual — MODEL D User Manual, p.34 on · off
pad role
MULTI TRIGGER 1 recipe
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.13 on · off OSC 3 CONTROL 1 recipe
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 on · off OSCILLATOR MODULATION 1 recipe
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Three triangles drifting, slow attack on both contours pad · soft provisional manual — MODEL D User Manual, p.34 on · off
lead role
MULTI TRIGGER 2 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.13 on · off Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.13 on · off OSC 3 CONTROL 2 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 on · off Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 on · off OSCILLATOR MODULATION 2 recipes
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Three saws detuned across an open filter lead · bright provisional manual — MODEL D User Manual, p.34 on · off Lead pushed into the feedback path, resonance up lead · dirty provisional manual — MODEL D User Manual, p.34 on · off
stab role
MULTI TRIGGER 1 recipe
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.13 on · off OSC 3 CONTROL 1 recipe
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 on · off OSCILLATOR MODULATION 1 recipe
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Short filter-swept stab, contour hard over the cutoff stab · hard provisional manual — MODEL D User Manual, p.34 on · off
acid role
MULTI TRIGGER 1 recipe
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.13 on · off OSC 3 CONTROL 1 recipe
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 on · off OSCILLATOR MODULATION 1 recipe
Recipe Role · character Value cited to Bounds or options cited to Bounds or options One saw, resonance high, filter tracking the keyboard acid · bright provisional manual — MODEL D User Manual, p.34 on · off
riser role
OSC 3 CONTROL 1 recipe
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 on · off OSCILLATOR MODULATION 1 recipe
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Rising sweep with the LFO shivering the pitch riser · bright provisional manual — MODEL D User Manual, p.34 on · off
impact role
OSC 3 CONTROL 1 recipe
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 on · off OSCILLATOR MODULATION 1 recipe
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Noise and low oscillators hit at once, contour onto the cutoff impact · hard provisional manual — MODEL D User Manual, p.34 on · off
sweep role
OSC 3 CONTROL 1 recipe
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 on · off OSCILLATOR MODULATION 1 recipe
Recipe Role · character Value cited to Bounds or options cited to Bounds or options Slow triangle LFO walking the cutoff across a held chord of one sweep · dark provisional manual — MODEL D User Manual, p.34 on · off
One row per recipe, because one name can be read off more than one page: this box authors 602 values across 16 recipes, and a list de-duplicated by name would keep one citation and drop the rest.
Before it holds pitch
What this box needs of you every session, and what it needs of a technician. Both come from its manual; neither changes with what you are making.
- Warm-up
- 15 minutes or more from cold
- Source
- manual — MODEL D User Manual, p.12
Calibration. PITCH CV, oscillator and octave RANGE calibration, via trimpots on the PCB.
The manual puts it under a warning triangle: undertaken only by an experienced service technician, to prevent personal injury or damage to the unit. The front panel has to be lifted to reach the board, and trimpot damage is not covered under warranty.
The procedure itself is in the manual, not here — manual — MODEL D User Manual, p.14
What it can play
16 recipes across 13 roles.
- kickhard1 recipe
- subdark · clean2 recipes
- bass-midhard · dirty2 recipes
- metallicbright1 recipe
- noisedirty1 recipe
- texturesoft1 recipe
- padsoft1 recipe
- leadbright · dirty2 recipes
- stabhard1 recipe
- acidbright1 recipe
- riserbright1 recipe
- impacthard1 recipe
- sweepdark1 recipe
On its own
Resolved against each direction with nothing else in the rig.
- Acid Lineage1 of 4 essential partsacid
- Ambient Dub1 of 7 essential partssub
- Breakbeat1 of 7 essential partskick
- Drone Study1 of 1 essential partstexture
- Drum and Bass1 of 4 essential partssub
- Generative Drift1 of 4 essential partssub
- Hard Techno1 of 7 essential partskick
- Hip-Hop1 of 4 essential partskick
- Industrial Techno1 of 9 essential partskick
- Lydian House1 of 5 essential partsbass-mid
- Major-Key Electro1 of 8 essential partskick
- Relay2 of 2 essential partsbass-mid · lead
- Slow Noir1 of 5 essential partslead
- Weave1 of 5 essential partskick
A rig is more than one box. These are what Behringer MODEL D covers alone, which is the floor rather than what it will do beside something else.